A Quote by William Peter Blatty

I lived in Georgetown in the late 70s about four houses down from the steps. — © William Peter Blatty
I lived in Georgetown in the late 70s about four houses down from the steps.
I lived in Georgetown in the late '70s about four houses down from the steps.
It was the first time I was looking, really, right after the storm, that I saw maybe the amount of devastation that had happened in the Lower Ninth Ward. Where my friends lived, which was about six blocks from where the industrial canal was, houses was smashed into houses, and there were, like, four houses smashed together.
When I lived in Baltimore, I would come down fairly often to go to the Hirshhorn, and one of my good friends from high school went to Georgetown. I actually ended up going to Annapolis a lot. I had a car, and it was such a serene place to drive.
My grandfather lived to be late 90s on one side and on the other side, 70s or something. And my father died young, at 63. But he didn't take very good care of himself.
There was a hole in Washington fiction, I felt, when I started out. Most D.C. novels were about politics or the federal city or people who lived in Georgetown or Chevy Chase - it was definitely a very narrow focus.
I gotta tell you, Rickey Medlocke lived in some of the most magical years in this world's history. I lived in the '60s. I lived in the '70s, right into the '80s, and man, it was bad to the bone.
I have a fondness for Georgetown. There's always some place in Georgetown that has a bunch of people that look like they're having fun, watching the game. Go in there, grab a pint. It's the best.
All houses in which men have lived and suffered and died are haunted houses.
I found dozens of albums I loved every year of the early 70s and more in the late 70s and more still in the decades since, partly because I knew more about music by then and partly because there were more to choose from.
Georgetown is still Georgetown. They have got a tremendous name and recognition. They are in a great area and have a great school.
I pounded through the houses, staggering down the hallways, falling down the steps. It was a hot streaky dawn full of insecticides, exhaust, flowers that could make you sick or fall in love. My battered Impala was still parked there on the side of the road and I wanted to lie down on the shredded seats and sleep and sleep. But I thought of the bones; I could hear them singing. They needed me to write their song.
Tortoise steps, slow steps, four steps like a tank with a tail dragging in the sand. Tortoise steps, land based, land locked, dusty like the desert tortoise herself, fenced in, a prisoner on her own reservation -- teaching us the slow art of revolutionary patience.
I've always loved 'lived-in' sci-fi. We take it for granted now, but it was a revelation in the late '70s - '80s, when movies like 'Alien', 'Escape From New York', and even 'Star Wars' introduced us to the idea that the future could, in fact, look old.
I went to Briar Cliff College initially, and then I transferred to Georgetown University, because I was a Russian major, and I was one of two girls accepted that year. This was September 1969 - well, that would have been 1970 - into the School Of Languages And Linguistics in Georgetown.
During the six years I spent writing my novel 'The Incarnations,' I lived in seven cities in four countries. I moved in and out of 17 different houses and flats in Beijing, Seoul, Colorado, Boston, Leeds, Washington D.C., London and Shenzhen.
I love New York. I lived there all through the '70s and have lived in L.A. since the early '80s but come back all the time to do theater.
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