A Quote by William R. Ferris
There is a mythic view of the South that's symbolized by the film "Gone With The Wind" that looks back fondly at slavery as a time when everything was happily in place - in place for whites.
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When you think back today to a time more than 70 years ago when Germany was a terrible place, a place people were afraid of, it is a wonderful development that we have gone from being a terrible place to a place that people dream of.
Terroir - the taste of place - was important from the early South of the first Indian, African, and Europeans to the nineteenth-century South. During that time, Southerners ate far more locally and seasonally, from the ground they knew and grew up on. That idea connects back to today. You are a place. And as a Southerner, the food you place in your body speaks of your personal history, and of the broader Southern history.
In my view, madness is a place. You go. You come back. And I think we all take turns being the mental patient. Without a touch of crazy, literature can be a desolate place. In the current climate of careful speech, even fearful speech, smoke-free film scripts, thought-free songs, and child-proof locks on American minds, the oft-repeated lament of the arts is "Where have all those wonderful madmen gone?"
What I want back is what I was Before the bed, before the knife, Before the brooch-pin and the salve Fixed me in this parenthesis; Horses fluent in the wind, A place, a time gone out of mind.
Our touchstones of slavery are 'Song of the South,' 'Gone With the Wind' and 'The Birth of a Nation.' It's hard to separate the cinematic quality from the underlying themes. I appreciate the films, but the message was repugnant.
America under 30 is a more non-whites place than America over 60. And we know that non-whites and whites vote differently.
'The Birth of a Nation' occupies a view of the South not far from Scarlett O'Hara's in 'Gone With the Wind,' and modern audiences have to wrestle with that beloved movie's romanticizing of racism.
Six feet under the stars is a place that doesn't exist. It's a place in your mind where everything and anything is possible. It's a place with no rules or limitations. It's a place where only two people can be at a time where no one can judge them and no one could try to break them apart.
It was a lot to get used to, especially in warm-ups with the wind all over the place. As the meet went on it steadied out, so I was able to get some good looks to go back and train from.
In Sumter and other counties [in South Carolina] the whites are resorting to intimidation and violence to prevent the colored people from organizing for the elections. The division there is still on the color line. Substantially all the whites are Democrats and all the colored people are Republicans. There is no political principle in dispute between them. The whites have the intelligence, the property, and the courage which make power. The negroes are for the most part ignorant, poor, and timid. My view is that the whites must be divided there before a better state of things will prevail.
My mother gave me an Oscar de la Renta Gone with the Wind ballgown dress. I've never had a place to wear it out to because it's so old-fashioned fancy and beautiful, so I need to find a place to wear it but if I don't, I'll still keep it forever.
When time and space and change converge, we find place. We arrive in Place when we resolve things. Place is peace of mind and understanding. Place is knowledge of self. Place is resolution.
10 Endradhukulla' is a thriller and the characters are all on the run. The film travels from South India traversing through the North, to the mountains where the climax takes place. Mine is a different kind of character; he is very suave and stylish and only later it is discovered that he is not what he looks like.
I try to turn a place on film into a mental state. I always have three or four locations that I repeat and return to in a film, to make it more mythic. But my fiction films are relatively subjective stories, experienced though one character. And that always justifies a little stylisation in terms of landscape.
Film is a great tool to play with time, going back and forth through time, or speeding time up and slowing it down and do stuff like that. That's something you can't experience in real life that you can experience on film, and it takes you to a different place.
The America that we knew as the smartest place on the planet is gone with the wind.
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