A Quote by William Regal
When I wasn't wrestling, I was always at the circus or at a show watching all these people - 'how do they make their stuff work for their audience?' That used to fascinate me as a child.
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People try and make it a big deal, but a show's a show, work's work, if you haven't wrestled in New York in a couple months, it's always good to take a booking there because there's a lot of great wrestling fans up there.
One of the challenges of the show has always been trying to be surprising, and that was easy to do when nobody was watching it. Now that people have started watching it, they get ahead of us. We've all started really guarding the material, just to make it fun for the audience.
What attracted me to wrestling was the entertainment factor. I loved watching how into the show the fans get, and also how physical it is.
What social media has done - Facebook, Twitter - is show the audience. I don't have an audience. When I make my work, it just goes out into the ether. I have a thick skin and it just brings me down to earth, you know, to realize how out-there and far away and paltry the audience is that gets what I'm saying. It's depressing if I let it get to me. And it's the same with hanging a show, the way it's put up, like, three stories high and you can't read a single word.
I try to make all my work as honest as possible. I want the audience to feel like they're watching two people talking-having a conversation-as opposed to watching actors fake it. I want the audience to get lost in the fact that this is so good it could be real.
Let me show you how to drive me crazy,Let me show you how to make me feel so good,Let me show you how to take me to the edge of the stars and back again.You've gotta show me how to drive you crazy,You've gotta show me all the things you wanna happen to you,We've gotta tell each other everything, we always wanted someone to do.
I was brought up in Guildford, and I think I used to absorb all the suburban things - seeing coffee mornings, women talking... that stuff, really. I was watching Alan Ayckbourn on some documentary, and he was talking about how he was around a lot of women as a child, listening to all that stuff.
But HBO is less interested in how many people are watching than in how much the people who are watching are liking the show. They didn't set up their business model to make writers happy. It's just a nice unintended consequence.
When the theater is gothic it matches the sensibility of the show. It's also very intimate. The audience is very close to the performers. The show is scary and the scary stuff always works best with an intimacy with the audience. And the show is erotic, and I think erotic always works best when it's close to the audience, as well.
Doing this web show - people underestimate what it takes to do a web show successfully. They underestimate the amount of work that you have to do to get it to your audience after it's made. I think you have to work so much harder, especially if you don't have a huge budget. You have to know how to get your audience engaged, because the Internet is so distracting, and there are so many choices. People, even if they love your show, will forget to go back for episode four, because you know, people are busy.
That's one of the things I always tried to do as champ. If you saw me at house shows, I was going to make you think I was going down. If I was wrestling Kane, I could lose. I'm wrestling Batista, I could lose. I'm wrestling Big Show, Undertaker, you name it, I could lose.
I always tell people this - when you start wrestling, don't forget that part you liked as a child. If you can keep a bit of that in your act, you can keep a bigger audience.
I always think it's just best to just make stuff and to carry on making stuff, even if it's not off your own back, because that's the only way... especially as a comedy writer, I make short films and then show them to live audience, so if they're laughing you know you're doing something right.
People fascinate the hell out of me. I never get tired of watching people, listening to people. The best part is not getting up in front of people but meeting people.
You basically do have a TV show when you're making stuff online. You have an audience that you make stuff for regularly.
My show is an anti-show and the audience have to want to listen. I'm sitting down, there's only one of me, I don't talk much to the audience and it is very quiet. I wouldn't be able to do that kind of show if people didn't know me and my material.
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