A Quote by William S. Burroughs

The best way to keep something bad from happening is to see it ahead of time... and you can't see it if you refuse to face the possibility. — © William S. Burroughs
The best way to keep something bad from happening is to see it ahead of time... and you can't see it if you refuse to face the possibility.
As long as I'm working, I'm happy. You see my face - great. You don't see my face - too bad, I don't care. I'll keep going.
To see something spectacular and recognise it as a photographic possibility is not making a very big leap. But to see something ordinary, something you’d see every day, and recognize it as a photographic possibility - that is what I am interested in.
When you see something bad happening out in the world, you should try to help in whatever way you can.
We think we have to be a certain way because we have been taught to be a certain way. Actually the only truth is to keep quiet and see what happens from there. When I feel ill-tempered, when I feel sad, when I feel distant, it's just something that is happening. When I don't compare it to the past and project it into the future, then it's just something that is happening now. It's a way of dying now.
Every time I see something terrible, it's like I see it at age 19. I keep a freshness that way.
When you see something or experience something extraordinary, you can't go back to normal... I think that that's the way I see the supernatural-as happening in mundane circumstances or to people who are unprepared.
I'm very realistic in my outlook on everything in life. When I look ahead in my mind to see what's going to happen next, I see the good and I see the bad.
E.L. Doctorow said once said that 'Writing a novel is like driving a car at night. You can see only as far as your headlights, but you can make the whole trip that way.' You don't have to see where you're going, you don't have to see your destination or everything you will pass along the way. You just have to see two or three feet ahead of you. This is right up there with the best advice on writing, or life, I have ever heard.
I don't know how to say it, but after last night I feel different. I seem to see ahead, in a kind of way. I know we are going to take a very long road, into darkness; but I know I can't turn back. It isn't right to see Elves now, nor dragons, nor mountains, that I want - I don't rightly know what I want: but I have something to do before the end, and it lies ahead, not in the Shire. I must see it through, sir, if you understand me.
Every person is a possibility. The hopeless romantics feel it most acutely, but even for others, the only way to keep going is to see every person as a possibility.
We can overcome if we change the way we see, see ourselves, see our past, see our possibility.
People are satisfied with making minor upgrades and tweaking things here and there - as long as that's the landscape, it will keep on happening. I don't see a problem necessarily, but at the same time it is nice to see new things come.
The material comes from whenever you realize that you and someone else have something in common. So any conversation you've had more than once, anything you see happening to you that you see happening to a friend, you go, Hmmm, that's a situation I can make funny.
National identity is a motion. It's something you're inside, you don't get what's happening, you can't see it from above. And that's where you have to write. You can't see what's happening now or what's going to happen, so you just dive into it and write.
I always see something for sure one time and then I make myself see it a second time. Because second time is like, 'OK, I'm not that bad. I'm not that horrible.' But the first time I just think I'm god-awful.
You'll see some bad things, but if you didn't see them, they'd still be happening.
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