A Quote by William S. Burroughs
You know, they ask me if I were on a desert island and I knew nobody would ever see what I wrote, would I go on writing. My answer is most emphatically yes. I would go on writing for company. Because I'm creating an imaginary - it's always imaginary - world in which I would like to live.
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I'm creating an imaginary — it's always imaginary — world in which I would like to live.
I started to make a joke that I had an imaginary friend underneath the let-out couch named Binky. I would never talk to him; I would only use him as entertainment for other people. I knew they thought that children had imaginary friends, so I was like, "I don't really believe in imaginary friends, but I want to feel like I do." I used to make a joke, "My imaginary friend Binky says this," because I knew it would get a laugh out of them.
Every work of art has its necessity; find out your very own. Ask yourself if you would do it if nobody would ever see it, if you would never be compensated for it, if nobody ever wanted it. If you come to a clear ‘yes’ in spite of it, then go ahead and don’t doubt it anymore.
If I had my life to live over, I would try to make more mistakes. I would relax. I would be sillier than I have been this trip. I know of very few things that I would take seriously. I would be less hygienic. I would go more places. I would climb more mountains and swim more rivers. I would eat more ice cream and less spinach. I would have more actual troubles and fewer imaginary troubles.
I'd love to write some porn, but I don't know if I have the right engines. When I was a young man and I was tempted to write porn, imaginary parents would appear over my shoulder and read what I was writing; just about the point that I managed to banish the imaginary parents, real children would lean over my shoulder and read what I was writing.
I knew I would work in a community that I would like to live in, but I had no idea that I would ever go into politics, even though some of my classmates thought I would.
One of the world's most tiresome questions is what object one would bring to a desert island,because people always answer "a deck of cards" or "Anna Karenina" when the obvious answer is "a well equipped boat and a crew to sail me off the island and back home where I can play all the card games and read all the Russian novels I want.
But if a stranger in the train asks me my occupation, I never answer "writer" for fear that he may go on to ask me what I write, and to answer "poetry" would embarrass us both, for we both know that nobody can earn a living simply by writing poetry.
I would go with my husband to the tailors where he gets his shirts made, and I would watch the bespoke process. I would ask them, "Would you be able to make that for me?" And they would always say, "Well, yes, but no." They were very French about it. I decided I would just do it for myself. And I started doing that. Then other people would notice, and want it. So I started doing things for friends, little pieces, and my own line grew that way.
When we blew the first atomic bomb at White Sands near the end of the war, nobody knew what was going to happen. There was a theory that the chain reaction would continue forever. And we would have created a little tiny sun out there in the desert that would burn until the end of the universe. It wasn't a widely held theory but it was a theory that nobody had a way of disproving. There were people who thought it wouldn't go off at all, that it would simply sit out there and melt and produce a great big dirty cloud of radioactivity. Nobody knew.
When I was writing 'The Windup Girl' and 'Ship Breaker,' I was writing those simultaneously, so I was an unpublished writer, not really having that full sense that these books would go out in the world, that they would be successful, that there would be an audience and that there would be fans of those stories.
You can find truly original pieces of writing, but they're original because you go, "Who would have even have thought of that?," or, "Why would anyone ever want to go see that?"
When I was a kid, I was always going to bed creating a story, and that was the birth of filmmaking for me. I would like going to the dream-state by telling the story to someone else in my mind. That was my imaginary friend; it was an imaginary audience listening to my story.
When I was a kid, I was always going to bed creating a story and that was the birth of filmmaking for me. I would like going to the dream-state by telling the story to someone else in my mind. That was my imaginary friend; it was an imaginary audience listening to my story.
It would be nice to travel if you knew where you were going and where you would live at the end or do we ever know, do we ever live where we live, we're always in other places, lost, like sheep.
When people would ask me which was my favourite destination, I would say I didn't have one, because I would always want to go to a new place, but Maldives is incredible.
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