A Quote by William S. Burroughs
Naked Lunch was from about a thousand pages of material. A lot of it overflowed, then, into the cut-up trilogy including Nova Express.
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I thought 'UnSouled' would come in at around 400 pages, but it took 650 pages, and even then I felt like I was rushing the conclusion, so I asked my editor and publisher if I could divide it again. So a sequel became a trilogy, and the trilogy became a tetralogy - although we're not calling it that.
I'm against Capitol Punishment in all forms, and I have written many pamphlets on this subject in the manner of Swift's Modest Proposal pamphlet incorporated into Naked Lunch; these pamphlets have marked Naked Lunch as an obscene book.
The material I did was lasting material. A lot of people thought I wasn't doing anything, but I was in the studio. The biggest factor is the material you choose. You hunt, you cut.
Of course, for me Naked Lunch was the big one, but I still believe I was right to pass on that. James Grauerholz and Barry Miles did an important job with their 2003 "Restored" edition because they knew what they wanted to do, and what they could do. At the time, I simply didn't know. I hadn't even edited Junky back then. So I did the right thing to pass. Instead, what I most want to do now is complete "The Making of Naked Lunch," on which I have been working, on and off, these past 25 years.
I will do a lot of research and create a lot of material for use in one painting. And then I go on discovering and working with a whole other range of material in another painting. I'm interested in a fairly comprehensive and orchestrated synthesis that might bring about a new situation consisting of this hidden material. I'm interested in hidden source material.
NED is talking about through-putting this energy out to the vicinity of Boston then taking a northern route up to Nova Scotia and then exporting it, so they're not talking about giving us any local benefits at all.
I still use a lot of cut-ups, I physically cut-up pieces of paper and stick them all together on another piece of paper then I'll think, "Ah, that looks good," or shuffle them around a bit and then I'll photocopy it and then that's my lyrics.
I quite often don't have breakfast, and I never have lunch. I find it helps not to wake my stomach up because if I had a good big breakfast, I would be ready for a snack at 11 and then a three-course lunch, then I'd be ready for tea, then a cocktail and then an enormous dinner.
'Writing' is the wrong way to describe what happens to words in a movie. First, you put down words. Then you rehearse them with actors. Then you shoot the words. Then you edit them. You cut a lot of them, you fudge them, you make up new ones in voice-over. Then you cut it and throw it all away.
After the children grew up, I began to focus on my writing. My first books were part of a trilogy... The 'Wind Dance' trilogy.
With the 'Hazelwood High' trilogy, I wasn't sure I was writing a trilogy. I would just write one book, then another, and then another, because the young adults who wrote me told me that they wanted to read more.
I grew up in Nova Scotia, so there weren't a whole lot of rules.
I'm married to a Canadianm so I have a lot of fond thoughts about Canada. I think about the prairies of Manitoba, where my wife is from, and I have a lot of friends and relatives on both coasts and have spent a lot time in Canada from Nova Scotia to B.C. In some ways, it's a much more sane country than the U.S.
With correction, and given the chance, 'Terra Nova' can and will deliver seasons of transcendent images and story-telling. Failing to renew 'Terra Nova' is shortsighted, as myopic as it would have been to scrap the Hubble. 'Terra Nova' is the Hubble Telescope of television.
'Speed' and 'Point Break' were a lot of running and jumping, and then 'The Matrix Trilogy' had a lot of fights and wire work and green screen elements.
I grew up in Nova Scotia, so there werent a whole lot of rules.
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