A Quote by William S. Burroughs
The exact objectives of Islam Inc. are obscure. Needless to say everyone involved has a different angle, and they all intend to cross each other up somewhere along the line.
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At the core of everything I do, is not my ambition but my desire to make music. Somewhere along the line I stumbled onto something that was bigger, different than anything I had ever imagined, which was actually being involved with other people. I just don't live the average artist's life.
Somewhere along the line I knew there'd be girls, visions, everything; somewhere along the line the pearl would be handed to me.
Too many people think that the faith line divides Muslims and Christians or Jews and Hindus, or just to say that there is this clash of civilizations and people from different religions are inevitably against each other, inherently opposed to each other. I don't believe that for a second. I think the faith line divides totalitarians and pluralists, which is to say that totalitarians from different religious backgrounds.
If you cross-section anyone's life from one angle and then another, what constitutes goodness looks different each time. It's not an absolute.
I don't ever cross the line. I step right up to it. I put my toes on the line, but I don't ever cross that line. There are some barriers you just don't cross - you don't talk about religion; you don't talk about race. Those are lines I will never cross.
There are people clamoring for the election of Donald Trump because they hate anyone whose skin is a slight shade different than theirs. They are calling for the eradication of Islam and want to build a wall along an arbitrary line that keeps Mexicans out of the land they probably have more of a right to cross than the people who now somehow think they have a right to be there.
I did what every other actor did: there were agents all the way up the Charing Cross Road and up St. Martin's Lane, and I would go out each day and do the agents - walk into these buildings, along their corridors, bang on these doors and say, 'Anything today?'
A cardinal rule of writing is never interrupt yourself to explain something. If you must bring up an obscure topic, drop informative hints about it as you go along so that you don't end up with the entire explanation all in one place. This keeps you from skidding to a stop and sounding teacherish. Otherwise it's better to omit the obscure topic altogether, or as mothers might put it: if you can't say it interestingly, don't say it at all.
There are other types of public appearances a writer does in addition to book signings and readings. Each calls for different skills. None of these skills, needless to say, are those that go into writing books.
I have a basic theorem as to how I do my jokes. Growing up, I knew when to cross the line and when not to cross the line. It's the same with my comedy. I know what my audience will take and how much they won't take. I can't give you a formula for it. It's my own personal formula inside my head. Somebody else's might be different.
What's really hurting me, the name Islam is involved, and Muslim is involved and causing trouble and starting hate and violence. ... Islam is not a killer religion. ... Islam means peace, I couldn't just sit home and watch people label Muslims as the reason for this problem.
Our people have made the mistake of confusing the methods with the objectives. As long as we agree on objectives, we should never fall out with each other just because we believe in different methods, or tactics, or strategy. We have to keep in mind at all times that we are not fighting for separation. We are fighting for recognition as free humans in this society.
My own movement of thought is not meant to be a straight point-to-point, linear line of march, but horizontal exploration from one area of interest to another. There is no ultimate destination - no finish line to cross, no final conclusion to be reached. It's the way I feel about dancing - you move around a lot, not to get somewhere, but to be somewhere in time.
Sometimes people come up and say, "You have this line in this song and it meant a lot to me." You don't always remember that line as the one. You're putting part of your human being on the page so people are going to have different responses - the other humans are going to connect with different parts.
[...]when two people have become present to each other, the waiting of one must be able to cross the narrow line between the living or dying of the other.
Lovers don't finally meet somewhere. They're in each other all along.
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