A Quote by William Safire
Do not put statements in the negative form. And don't start sentences with a conjunction. If you reread your work, you will find on rereading that a great deal of repetition can be avoided by rereading and editing. Never use a long word when a diminutive one will do. Unqualified superlatives are the worst of all. De-accession euphemisms. If any word is improper at the end of a sentence, a linking verb is. Avoid trendy locutions that sound flaky. Last, but not least, avoid cliches like the plague.
Related Quotes
It behooves us to avoid archaisms. Never use a long word when a diminutive one will do.
There are some simple maxims which I think might be commended to writers of expository prose. First: never use a long word if a short word will do. So, if you want to make a statement with a great many qualifications, put some of the qualifications in separate sentences. Third: do not let the beginning of your sentence lead the reader to an expectation which is contradicted by the end.
Last, but not least, avoid cliches like the plague.
I've learned a lot about language from reading slush. You can immediately tell if a writer is in control of the narrative. This writer will avoid using too many words like "possibly," "probably," "maybe," "perhaps," etc. He/she will avoid using clichés, as well as a lot of metaphors, and won't take four sentences to say what they could in one (or write a great sentence and follow it up with a bunch of stuff that just weakens it).
If you re-read your work, you can find on re-reading a great deal of repetition can be avoided by re-reading and editing.
Never use a metaphor, simile, or other figure of speech which you are used to seeing in print. Never use a long word where a short one will do. If it is possible to cut a word out always cut it out. Never use the passive voice where you can use the active. Never use a foreign phrase a scientific word or a jargon word if you can think of an everyday English equivalent. Break any of these rules sooner than say anything outright barbarous.
Every sentence has a truth waiting at the end of it and the writer learns how to know it when he finally gets there. On one level this truth is the swing of the sentence, the beat and poise, but down deeper it's the integrity of the writer as he matches with the language. I've always seen myself in sentences. I begin to recognize myself, word by word, as I work through a sentence. The language of my books has shaped me as a man. There's a moral force in a sentence when it comes out right. It speaks the writer's will to live.
Never use the word, 'very.' It is the weakest word in the English language; doesn't mean anything. If you feel the urge of 'very' coming on, just write the word, 'damn,' in the place of 'very.' The editor will strike out the word, 'damn,' and you will have a good sentence.
When you're rereading or editing your book and you start to expect that this work is going to be reviewed, and you can sort of tell which line is going to show up in reviews.
Remember to never split an infinitive. The passive voice should never be used. Do not put statements in the negative form. Proofread carefully to see if you words out. And don't start a sentence with a conjugation.
I remember my wife in white.' It just made people weep to hear it...Everybody just thought it was the saddest sentence that was ever written. And it didn't matter if I never wrote another word. This one sentence had put an end to the need for any future sentences. I had said it all.
It is time to stop the mealy-mouthed euphemisms: 'Nationalists', 'Loyalists', 'Communities', 'Ethnic Groups', 'Cultures', 'Civilizations'. Religions is the word you need. Religions is the word you are struggling hypocritially to avoid.
Usually when I put together a book like this Death-Ray hardcover or that Ghost World special edition, then I have to reread it and see if there is anything I want to change or any re-coloring I want to do. That's when I'm faced with the actual work. When I'm working, I'm too close to it. I'm sort of inside, and I can't see it at all. So when I have that experience of rereading it years later, it's jarring.
You could say this word is better to use than that word, this sentence is good and that sentence isn't. But you don't determine the value of your work for other people.
Be Impeccable With Your Word. Speak with integrity. Say only what you mean. Avoid using the word to speak against yourself or to gossip about others. Use the power of your word in the direction of truth and love.
Use the word 'zeitgeist' as often as possible. Ideally, you want to find words that sound familiar but people don't really know their definitions: 'zeitgeist,' 'bildungsroman,' 'doppelganger' - better yet, anything Latin. But avoid 'paradigm.' It's so 1994. If you say the word 'paradigm,' everybody knows you're a poser.
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