A Quote by William Sanderson

When you play so many outcasts and derelicts, or even a murderer, you need to play someone healthy. — © William Sanderson
When you play so many outcasts and derelicts, or even a murderer, you need to play someone healthy.
If sports science really has a beat on what's healthy for the players, then they need to tell the league how many games that is healthy for players to play and then only play that many games.
I often hear actors say during their interviews: 'I want to play a crazy person, a murderer, or someone who's on edge.' But that question scares me. I mean, of course there are characters I'd like to play, but I can't really say specifically who they are. It's much too hard to play a convincing normal person as it is.
You obviously don't have to be a murderer to play a murderer or you don't have to be a dictator to play a dictator. So, you're an actor. You come up with whatever you come up with to play that part.
People sometimes think I'm gay because I once played a gay in a movie. It's funny. Audiences don't think you're a murderer if you play a murderer, but they do think you're gay if you play a gay.
Play exists for its own sake. Play is for the moment; it is not hurried, even when the pace is fast and timing seems important. When we play, we also celebrate holy uselessness. Like the calf frolicking in the meadow, we need no pretense or excuses. Work is productive; play, in its disinterestedness and self-forgetting, can be fruitful.
If you play a gay role, it sticks more than it does if an actor were to play a murderer or a psychopath.
No. 1 is definitely staying healthy. That is always going to be the biggest priority. I think when I am healthy, it gives me the opportunity to go out there and play the tennis I know that I can play.
My personality, if I was healthy enough to play, I'm going to play! I felt that at 75, 80 percent, even if I had a sprained ankle, if I'm out there on the floor, I could be Deion Sanders.
When I realised that what I do really well is play women who are tough and vulnerable, it was a moment of clarity. Many female characters either have one trait or the other, but I play both. I don't need to play characters who are like me. I can just do that with my life.
I decided that I want to live the rest of my life happy with what I'm doing. So when I play tennis again, I have to play it for the right reason. I don't want to play to get my No. 1 ranking back. I don't want to play for the attention, or to earn more. I don't even want to play because the world wants to see me do it, even though it's nice to know that the world is interested. I only want to play because I love the game, which is the reason I began to play at age seven in the first place.
The cool thing about being in drag, just like getting to play a role in a play, is that you get to play a fantasy and you get to play someone else that you're not used to.
There comes a point in many people's lives when they can no longer play the role they have chosen for themselves. When that happens, we are like actors finding that someone has changed the play.
All the top players in the world play 45-50-60 games. You need that many games, even the strikers need that many games.
Even when you write it, someone's got to play it. So if you can play it and bypass all the rest of the things, you're still doing as great as someone that has spent forty years trying to find out how to do that. I'm really pro-human beings, pro-expression of everything.
St. Andrews is my favorite place to play golf. I've said it many times. I love the design. I love how there is always a bunker in play. And every time you play, it is always a little bit different. There are so many angles out there. It is beautifully designed. And so much fun to play.
A weakness of many of the self-oriented play theories is that they often sound too much like vain consumerism instead of being about the more passionate and willful character of human play, which involves a willingness, even if a fantasy, to believe in the play venture itself.
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