A Quote by William Saroyan
It is a pity, in my opinion, that no prize exists for the writer who best refrains from adding to the world's bad books.
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We need prizes as publishers... to focus attention on books, for people to know what to go look for. But often in my opinion and in probably everyone's opinion, the right books don't get chosen. Still we need books to be chosen even if they are not exactly the right ones, otherwise many people won't know what to read. As a publisher, I feel prizes are important for the publishing business. But as a writer, I think, writers shouldn't get too distracted by prizes because very often they don't go to the right person. You shouldn't take it too seriously if you haven't won a prize.
It is a generally received opinion that there are too many books in the world already. I cannot, however, subscribe to any Institution that proposes to alter this state of affairs, because I find no consensus of opinion as to which are the superfluous books.
Competition exists to choose who gets the prize when the prize can’t be shared.
One wouldn't want to say that what makes a good writer is the number of books that the writer wrote because you could write a whole number of bad books. Books that don't work, mediocre books, or there's a whole bunch of people in the pulp tradition who have done that. They just wrote... and actually they didn't write a whole bunch of books, they just wrote one book many times.
There is only one positive role of the Nobel prize--it creates some common way to understand a writer. I cannot say, that I like this situation, but that's the way it goes. The books are being born and then walk around the world, just as children do.
Ah, children, pity level-crossing keepers, pity lock-keepers - pity lighthouse-keepers - pity all the keepers of this world (pity even school teachers), caught between their conscience and the bleak horizon.
I'm not ever getting a Pulitzer prize and my books aren't on high school reading lists, but for better or worse I'm a working writer.
The world was a terrible place, cruel, pitiless, dark as a bad dream. Not a good place to live. Only in books could you find pity, comfort, happiness - and love. Books loved anyone who opened them, they gave you security and friendship and didn't ask anything in return; they never went away, never, not even when you treated them badly.
The most important thing for a writer to do is to write. It really doesn't matter what you write as long as you are able to write fluidly, very quickly, very effortlessly. It needs to become not second nature but really first nature to you. And read; you need to read and you need to read excellent books and then some bad books. Not as many bad books, but some bad books, so that you can see what both look like and why both are what they are.
The original writer is not he who refrains from imitating others, but he who can be imitated by none.
When I first decided I wanted to be a writer, when I was 10, 11 years old, the books that I loved obviously and openly fit that description: They came with maps and glossaries and timelines - books like Lord Of The Rings, Dune, The Chronicles Of Narnia. I imagined that's what being a writer was: You invented a world, and you did it in a very detailed way, and you told stories that were set in that world.
Mr. Tennyson has said that more things are wrought by prayer than this world dreams of, but he wisely refrains from saying whether they are good or bad things.
It's not a matter of whether the reviews of your books are good or bad, it's about being taken seriously, both as a woman writer and as a writer of color. Also, it worries me when people point to a couple of women writers or writers of color who get some attention - and I am sometimes pulled into that category - to prove that others are getting a fair shot. It's like those people who keep saying that racism no longer exists in this country because Barack Obama was a President of the United States.
We prize books, and they prize them most who are themselves wise.
Picture books are for everybody at any age, not books to be left behind as we grow older. The best ones leave a tantalising gap between the pictures and the words, a gap that is filled by the reader's imagination, adding so much to the excitement of reading a book.
What is it? A prize or something? No. It's not a prize and I'm not a prize. But it's mine. It belongs to me and I can only give it away once, and I want to be so sure when it happens. I don't want to say that the first time for me was bad or it didn't mean a thing.
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