A Quote by William Saroyan
I cannot see the war as historians see it. Those clever fellows study all the facts and they see the war as a large thing, one of the biggest events in the legend of the man, something general, involving multitudes.
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America is at war with itself because it's basically declared war not only on any sense of democratic idealism, but it's declared war on all the institutions that make democracy possible. And we see it with the war on public schools. We see it with the war on education. We see it with the war on the healthcare system.
We sit at our consoles and play "Gears of War", but we don't see images from war. We don't turn on the news and see the evidence of war, the result of war. Maybe twice a year, Memorial Day, Veterans Day, we'll go out, we'll hang our flags, we'll try to inculcate in our children some sense of national honor for the fallen. But really, we don't see it. We just don't see the pictures. There's no drive-by on the freeway of death up close. So we don't really see bravery.
In war you see your own troubles; those of the enemy you cannot see. You must show confidence.
He would see civilization in danger of perishing under the oppression of a gigantic paradox: he would see multitudes of people starving in the midst of plenty, and nations preparing for war although pledged to peace.
War today is such a more visible thing. We see it on television, on CNN. In 1914, war was a concept. There was a naivety and stupidity that war would be a great lark. It's not that different from Gone With The Wind, where all the young men can't wait to go off to fight and then two hours later in the movie, we see how the reality of that has come home to them.
When you talk about the mental health problems, when people come back from war and combat and they see things that maybe a lot of the folks in this room have seen many times over and you're strong and you can handle it. But a lot of people can't handle it. And they see horror stories. They see events that you couldn't see in a movie, nobody would believe it.
To see life. To see the world. To watch the faces of the poor, and the gestures of the proud. To see strange things. Machines, armies, multitudes, and shadows in the jungle. To see, and to take pleasure in seeing. To see and be instructed. To see and be amazed. (Describing the powers of photography; written for the launch of LIFE Magazine, 1936.)
And when we look in through the windows, all we see are shadows. And when we try and listen, all we hear is a whispering. And we cannot understand the whispering, because our minds have been invaded by a war. A war that we have both won and lost. The very worst sort of war. A war that captures dreams and re-dreams them. A war that has made us adore our conquerors and despise ourselves.
We wanted to see this country win the war just as much as those advisors did. We felt we would help to do that by reporting the truth. And so there was the moral outrage over this general and the ambassador in Saigon who kept denying the truth we would see.
I was a privileged observer to be there when Celine Dion opened at Caesars Palace and then the second Gulf War started. It was an odd thing to see the impact both events had on Vegas. The place was riding high after Celine, but overnight, once war was declared, it was deserted.
If we let people see that kind of thing, there would never again be any war. Pentagon official, on why US military censored graphic footage from the Gulf War In time of war the first casualty is truth.
Let's see if we can't get this war behind us now. Certainly, the man in the street, the common person there, wants to have this war behind him. I think a lot of the soldiers are very war-weary too.
I think that, most importantly, when I see issues of war, I see them in a personal vein, and I am reluctant to go to war unless there's a real, valid American interest because I've seen the wounded soldiers.
I think it's very unlikely that we're going to see a trade war between the United States and Mexico because it's in nobody's interest to see a trade war.
I can't remember how old I was, maybe 13, 14, and to see these fellows and hear their stories and to see life come to such a drab ending - my God, a poorhouse in those days was something. You would have to be inert not to respond to it.
Here's an easy way to see if a war movie is being truthful: If you see an explosion on a faraway hillside and the sound of the explosion and the detonation of the bomb happen at the same time - if they're putting the sound and the vision together in the same moment - they're going toward our cultural understanding of war, not the reality of war.
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