A Quote by William Shakespeare

When I got enough confidence, the stage was gone. When I was sure of losing, I won. When I needed people the most, they left me. When I learnt to dry my tears, I found a shoulder to cry on. And when I mastered the art of hating, somebody started loving me.
Anyway, it's gone. And there's nothing left in my pocket to charm you. So from now on it's going to have to be tears or nothing I'm afraid. That's all I've got left to tell you see: tears, tears, tears.
Everything around me inspires and influences me. Mainly love - falling in it, losing it, loving it and hating it.
People stood on their chairs, cheering and waving. And it was all for me! Waves of love flooded the stage and washed over me. I started to cry. The sweetness of such a moment is impossible to describe. One is both lover and beloved. ... I'd found the one true, enduring romance of my life.
For a moment she'd wondered if the seal around her sockets were tight enough to allow the tears simply to go on and fill up the entire lens space and never dry. She could carry the sadness of the moment with her that way forever, see the world refracted through those tears, those specific tears, as if indices as yet unfound varied in important ways from cry to cry.
I've got God's shoulder to cry on. And I cry a lot. I do a lot of crying in this job. I'll bet I've shed more tears than you can count, as president.
Demons do not cry. You became a demon, because you couldn't cry anymore right? Humans cry and when their tears finally run dry, there's nothing left, not a demon nor a monster and one final prayer for death. So, laugh demon. Laugh that arrogant laugh of your and remember I beat you to it.
And that's when I realized that there's really two ways people cry. You cry when you're sorry for yourself, and then you cry when you are really sad. The tears you cry for yourself? Those are kid tears. You're crying because you want somebody to help you or pick you up. Your mom, your dad, the old lady next door... anyone.
I got into pastoring because of the art form. I started a church, but I felt the art form needed to be freed for all people. A particular religion over others was never interesting to me. I wanted to talk to people about what it means to be alive and what it means to be human.
My children make me cry on a daily basis about everything. Tears of joy, tears of pain, tears of sadness - all the tears, all the time.
I didn’t want my picture taken because I was going to cry. I didn’t know why I was going to cry, but I knew that if anybody spoke to me or looked at me too closely the tears would fly out of my eyes and the sobs would fly out of my throat and I’d cry for a week. I could feel the tears brimming and sloshing in me like water in a glass that is unsteady and too full.
Hating people isn’t a productive way of living. So what’s the point in hating anyone? There’s enough hate in the world as it is, without me adding to it.
The most important man in my life is and always will be Alain Delon. He is always there when I need a shoulder to cry on… even today Alain is the only man I can count on. He would always help me. Only Alain shaped me as a woman. Even though he hurt me a lot when he left me I also matured because of it.
The audience went from hating me to loving me to hating me to loving me. They probably would have f - ed me then rewarded me, f - ed me then rewarded me.
To be honest I had learnt martial arts for a girl. So I started learning the art to impress her, but eventually I started loving martial art more than the girl. So later it became a habit it became fun.
I started in comedy when I first started as an actor on stage and doing improvisational theater and stuff like that. So a lot of people who know me know that sort of side of me. But I got the roles that I got as an young actor kind of steered me in a different direction, which were, at times, darker characters. And so comedy was not something that came easy for people to think of my in those terms.
I've learnt to hide my tears on stage. They make people uncomfortable.
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