A Quote by William Shakespeare

Look on beauty, and you shall see 'tis purchased by the weight; which therein works a miracle in Nature, making them lightest that wear most of it: so are those crisped snaky golden locks which make such wanton gambols with the wind upon supposed fairness, often known to be the dowry of a second head, the skull that bred them in the sepulchre.
Look on beauty, And you shall see 'tis purchased by the weight, Which therein works a miracle in nature, Making them lightest that wear most of it.
Look on beauty, and you shall see 'tis purchased by the weight.
There are usually three sections of people who like my work. There are those who like them aesthetically. They see beauty in the images. Second, there are those who like the horror aspect, which is by design, and I like that. Third, there are those who are moved by the historical or political nature of them. They want to talk about them.
To love someone is to always see them as the miracle that they are; as the miracle that they exist, the miracle that makes your own simultaneous existence seem fortunately improbable and therefore defiantly miraculous; is to show them, in your eyes and through the way in which you look at them, the limitless beauty of their true miraculous selves; is to say to them in every glance: "I believe in miracles because i believe in you."
If we define a miracle as an effect of which the cause is unknown to us, then we make our ignorance the source of miracles! And the universe itself would be a standing miracle. A miracle might be perhaps defined more exactly as an effect which is not the consequence or effect of any known laws of nature.
WhenTime shall turn those amber locks to grey, My verse again shall gild and make them gay.
What harm cause not those huge draughts or pictures which wanton youth with chalk or coals draw in each passage, wall or stairs of our great houses, whence a cruel contempt of our natural store is bred in them?
...let us save what remains; not by vaults and locks which fence them from the public eye and use in consigning them to the waste of time, but by such a multiplication of copies, as shall place them beyond the reach of accident.
Usually they are quick to discover that I cannot see or hear.... It is not training but love which impels them to break their silence about me with the thud of a tail rippling against my chair on gambols round the study, or news conveyed by expressive ear, nose, and paw. Often I yearn to give them speech, their motions are so eloquent with things they cannot say.
All the lessons are in nature. You look at the way rocks are formed - the wind and the water hitting them, shaping them, making them what they are. Things take time, you know?
The accidental prescriptions of authority, when time has procured them veneration, are often confounded with the laws of nature, and those rules are supposed coeval with reason, of which the first rise cannot be discovered.
Making fiction for children, making books for children, isn't something you do for money. It's something you do because what children read and learn and see and take in changes them and forms them, and they make the future. They make the world we're going to wind up in, the world that will be here when we're gone. Which sounds preachy (and is more than you need for a quotebyte) but it's true. I want to tell kids important things, and I want them to love stories and love reading and love finding things out. I want them to be brave and wise. So I write for them.
As we conquer peak after peak we see in front of us regions full of interest and beauty, but we do not see our goal, we do not see the horizon; in the distance tower still higher peaks, which will yield to those who ascend them still wider prospects, and deepen the feeling, the truth of which is emphasized by every advance in science, that 'Great are the Works of the Lord'.
Assuredly there is but one way in which to achieve what is not merely difficult but utterly against human nature: to love those who hate us, to repay their evil deeds with benefits, to return blessings for reproaches. It is that we remember not to consider men's evil intention but to look upon the image of God in them, which cancels and effaces their transgressions, and with its beauty and dignity allures us to love and embrace them.
She had one of those charming faces which, according to the angle from which you see them, look either melancholy or impertinent. Her eyes were grey; her trick of narrowing them made her seem to reflect, the greater part of the time, in the dusk of her second thoughts. With that mood, that touch of arriere pensee, went an uncertain, speaking set of lips.
The works of nature and the works of revelation display religion to mankind in characters so large and visible that those who are not quite blind may in them see and read the first principles and most necessary parts of it and from thence penet into those infinite depths filled with the treasures of wisdom and knowledge.
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