A Quote by William Shakespeare
CLEOPATRA: If it be love indeed, tell me how much. ANTONY: There's beggary in the love that can be reckoned. CLEOPATRA: I'll set a bourne how far to be belov'd. ANTONY: Then must thou needs find out new heaven, new earth.
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Watching and learning from the great Josette Bushell-Mingo, who was playing Cleopatra in Antony and Cleopatra at the time, and then to return to the same stage six months later playing a lead role, was incredible - I fell in love with the poetry and the breadth of the language so much that I didn't want it to end.
One of my favourite pieces is 'Antony and Cleopatra' - I'd love to be in that. Or an alternative version of 'Romeo & Juliet' where I get to play Mercutio, something like that.
I had always been moved by the story and love of Antony and Cleopatra. Their love moved and changed the world. While their love ended in tragedy, their love endured the march of time. Their passion lit the world on fire.
I think all novels are contemporary. When people went to see 'Antony-Cleopatra' at the Globe in the 16th century, they were not going to get a history lesson on the Roman Empire. It was about love, sex, and also about dynastic troubles.
The language is always powerful in Shakespeare, but with 'Antony and Cleopatra,' the speeches are so big and muscular and rich - exhausting to speak, actually.
I love finding new things. I love the conceptual aspect of Antony Hegarty or the voices of those back in the day like Lil' Kim, Missy Elliott, Ciara. I love what evokes emotion in me.
I mean she's Cleopatra... shouldn't she and Antony have known better? They were so different..." "Variety is the spice of life" "And from a thousand miles apart" "Absence makes the heart grow fonder
You still don't get it, do you, Margaret?' Kat smiled almost sadly. 'We never had to steal the Antony. All we had to do was get it next to the Cleopatra and switch the signs.
The theme of the dance was "Great Romances," or some such nonsense. There were projections of supposedly great couples from the past on the walls of the gym. Romeo and Juliet, Antony and Cleopatra, Hermione and Ron, Bonnie and Clyde, etc.
Two of the first plays I saw after I arrived in Britain were 'King Lear' in Liverpool, and 'Antony and Cleopatra' at Stratford. One was produced with hardly a backdrop and the other with gigantic scene changes. I was impressed by what connected the two: the words and their life beyond the stage.
I worked at The Old Globe Theater under the great baton of Craig Noel. One of the great theater heroes that we have. He was so great and so inspirational. I think I did 'Antony and Cleopatra' and 'The Taming of the Shrew'. I lived in Ocean Beach, and my rent was $140 a month.
I once interviewed David Herbert Donald, the Lincoln historian, and we talked about how one deals with the secondary sources and the previous biographies. He said something which kept coming back to me as I worked on Cleopatra, which was: 'There's no further new material; there are only new questions.'
Her seductive power, however, did not lie in her looks [...]. In reality, Cleopatra was physically unexceptional and had no political power, yet both Caesar and Antony, brave and clever men, saw none of this. What they saw was a woman who constantly transformed herself before their eyes, a one-woman spectacle.Her dress and makeup changed from day to day, but always gave her a heightened, goddesslike appearance. Her words could be banal enough, but were spoken so sweetly that listeners would find themselves remembering not what she said but how she said it.
While we look forward to a new heaven, let's first consider the new earth, for the new earth will indeed be like heaven on earth. We will live on a restored earth.
Here was a woman about the year 1800 writing without hate, without bitterness, without fear, without protest, without preaching. That was how Shakespeare wrote, I thought, looking at Antony and Cleopatra; and when people compare Shakespeare and Jane Austen, they may mean that the minds of both had consumed all impediments; and for that reason we do not know Jane Austen and we do not know Shakespeare, and for that reason Jane Austen pervades every word that she wrote, and so does Shakespeare.
You do not know how much they mean to me, my friends, And how, how rare and strange it is, to find In a life composed so much, so much of odds and ends, (For indeed I do not love it ... you knew? you are not blind! How keen you are!) To find a friend who has these qualities, Who has, and gives Those qualities upon which friendship lives. How much it means that I say this to you- Without these friendships-life, what cauchemar!
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