A Quote by William Shakespeare

Take pains. Be perfect. — © William Shakespeare
Take pains. Be perfect.
A lot of time, my inspiration comes from pain: growing pains, hunger pains, or money pains.
Against my will I am sent to bid you come in to dinner. BENEDICK Fair Beatrice, I thank you for your pains. BEATRICE I took no more pains for those thanks than you take pains to thank me: if it had been painful, I would not have come. BENEDICK You take pleasure then in the message? BEATRICE Yea, just so much as you may take upon a knife's point ... You have no stomach, signior: fare you well. Exit BENEDICK Ha! 'Against my will I am sent to bid you come in to dinner;' there's a double meaning in that... (Much Ado About Nothing)
Gide and I have attained such perfect intellectual communion that I experience the appropriate labor pains for every thought he gives birth to!
It is not for nothing that artists have called their works the children of their brains and likened the pains of production to the pains of childbirth.
Where God takes such pains to teach, we ought to be at pains to learn.
The pains felt by Asian countries are our own pains. Disaster in Asia is nothing but ours as well.
He who can preserve gentleness amid pains, and peace amid worry multitude of affairs, is almost perfect.
Minor magicians take pains to fit this traditional wizardly bill. By contrast, the really powerful magicians take pleasure in looking like accountants.
We take less pains to be happy, than to appear so.
When we become aware that we do not have to escape our pains, but that we can mobilize them into a common search for life, those very pains are transformed from expressions of despair into signs of hope.
Do you, like a skilful weigher, put into the balance the pleasures and the pains, near and distant, and weigh them, and then say which outweighs the other? If you weigh pleasures against pleasures, you of course take the more and greater; or if you weigh pains against pains, then you choose that course of action in which the painful is exceeded by the pleasant, whether the distant by the near or the near by the distant; and you avoid that course of action in which the pleasant is exceeded by the painful.
So many people are concerned with being the perfect 'something.' Whether it's the perfect singer, the perfect sexy girl, or the perfect feminist. I don't want to be the perfect anything.
The most difficult days have been the ones I've had to spend correcting a mistake. We're all human, and we make errors in spite of the pains we take not to. It's important to take ownership of the situation and to work to make it right.
Men take more pains to mask than mend.
There isn't a single artist out there, I'm sure, who wouldn't take the most perfect record deal. If the right record deal came along, like, the perfect deal, we'd definitely take it.
Kripke says that physicalists like me can't explain the 'apparent contingency' of mind-brain identities. He maintains that, if I really believed that pains are C-fibres, then I ought no longer to have any room for the thought that 'they' might come apart. His argument is that, since pains aren't identified via some contingent description, but in terms of how they feel, I have no good way of constructing a possible world, so to speak, where C-fibres are present yet pains absent.
This site uses cookies to ensure you get the best experience. More info...
Got it!