A Quote by William Shakespeare
O jest unseen, inscrutable, invisible, As a nose on a man's face, or a weathercock on a steeple.
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I was a fan of Hitchcock, but more importantly than that, he is such an inscrutable man, and a very carefully inscrutable man. He apparently was blank-faced with a calm and controlled presence. I was immediately anxious and thought, 'How am I going to get behind that?'
We have observed for thirty centuries that a large nose is a sign on the door of our face that says 'Herein dwells a man who is intelligent, prudent, courteous, affable, noble-minded and generous'. A small nose is a cork on the bottle of the opposite vices.
Plain as a nose in a man's face.
It is the obvious which is so difficult to see most of the time. People say 'It's as plain as the nose on your face.' But how much of the nose on your face can you see, unless someone holds a mirror up to you?
The hardest part of playing the villain was the prosthetics, because I couldn't really move my face as much as I wanted to, and yet I had to move my face a lot. If I moved my face in certain ways the prosthetics would come apart, so I could do a lot of eyebrow acting, but I couldn't do a lot of nose lifting, or the corners of the nose would pop out.
The invisible and unseen has always fascinated us humans.
My face is not perfect. Because my nose is not sharp, many people suggested I should get my nose done.
When children ask you questions about gray hairs, and wrinkles in the face, and sighs that have no words, and smiles too bright to be carved upon the radiant face by the hands of hypocrisy--when they ask you about kneeling at the altar, speaking into the vacant air, and uttering words to an unseen and in an invisible Presence--when they interrogate you about your great psalms, and hymns, and anthem-bursts of thankfulness, what is your reply to these? Do not be ashamed of the history. Keep steadily along the line of fact. Say what happened to you, and magnify God in the hearing of the inquirer.
I like mainly to be invisible, to sort of drift around unseen in the world.
Listen, if you were with me on a plane? I'm embarrassed for the people who sit next to me. I have such a regimen! I, like, pound on the face cream because your face will dry out, I get the stuff you put in your nose so no nose germs come in, I take elderberry for immunity, I wear a scarf.
I have stretched ropes from steeple to steeple; garlands from window to window; golden chains from star to star, and I dance.
I am visible-see this Indian face-yet I am invisible. I both blind them with my beak nose and am their blind spot. But I exist, we exist. They'd like to think I have melted in the pot. But I haven't. We haven't.
It's Toby Jones playing Alfred Hitchcock, not Alfred Hitchcock. We all felt that his silhouette was crucial, so his nose and lips were crucial as well. We had to build it out a bit to get the silhouette. But, with my nose being so small within the proportion of my face, the first nose was too big. I felt like a nose on parade.
It is ever the invisible that is the object of our profoundest worship. With the lover it is not the seen but the unseen that he muses upon.
I don't give a f***. We're not fighting. I don't care what anyone thinks about me. All the stuff I have to do outside the fighting, the promotion, this, I don't give a f***. But when I am facing up for a fight, I know what they're thinking. I can read their minds. When I am going face to face with an opponent, nose to nose, I can smell the fear, and I'm feeling no fear at all.
The Irish always jest even though they jest with tears.
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