A Quote by William Shakespeare
Have you not a moist eye, a dry hand, a yellow cheek, a white beard, a decreasing leg, an increasing belly? Is not your voice broken, your wind short, your chin double, your wit single, and every part about you blasted with antiquity?
Related Quotes
A lean cheek; which you have not: a blue eye, and sunken; which you have not: an unquestionable spirit; which you have not: a beard neglected; which you have not: — but I pardon you for that; for, simply, your having1 in beard is a younger brother's revenue: — Then your hose should be ungarter'd, your bonnet unhanded, your sleeve unbuttoned, your shoe untied, and every thing about you demonstrating a careless desolation.
Focus on all four of your net worth factors: increasing your income, increasing your savings, increasing your investment returns, and decreasing your cost of living by simplifying your lifestyle.
Look up, laugh loud, talk big, keep the color in your cheek and the fire in your eye, adorn your person, maintain your health, your beauty and your animal spirits.
Even if you were green and had a beard and a male appendage between your legs. Even if your eyebrows were orange and you had a mole covering your entire cheek and a nose that poked me in the eye every time I kissed you. Even if you weighed seven hundred pounds and had hair the size of a Doberman under your arms. Even then, I would love you.
Congratulations," he said, his voice dry. "You finally managed to find a woman as tragically noble as yourself. I didn't think one existed." "I'm not tragic." Kaldar held up his hand. "Spare me. Some children are born wearing a silk shirt; you were born wrapped in melancholy. When they slapped you to make you cry, you just sighed heavily and a single tear rolled from your eye." He dragged his finger from the corner of his left eye to his cheek. " Your first words were probably 'woe is me.'" "My first words were 'Kaldar, shut up!' because you talked too much. Still do.
Go out there and swear to this world your oath, not with your words, but with what you do. Not with your hand over your heart, but with your hand outstretched to a world that desperately needs your hand, your help, your insights, your creativity, your honor, your courage. It needs you.
People often ask me, "What's the difference between couplehood and babyhood?" In a word? Moisture. Everything in my life is now more moist. Between your spittle, your diapers, your spit-up and drool, you got your baby food, your wipes, your formula, your leaky bottles, sweaty baby backs, and numerous other untraceable sources-all creating an ever-present moistness in my life, which heretofore was mainly dry.
Your writing voice is the deepest possible reflection of who you are. The job of your voice is not to seduce or flatter or make well-shaped sentences. In your voice, your readers should be able to hear the contents of your mind, your heart, your soul.
In prayer and in every work of your life avoid suspicious ness, doubt and diabolical imaginations. Let your spiritual eye be single, in order that the whole body of your prayer, of your works and of your life may be light.
Beneath the surface level of conditioned thinking in every one of us there is a single living spirit. The still small voice whispering to me in the depths of my consciousness is saying exactly the same thing as the voice whispering to you in your consciousness. 'I want an earth that is healthy, a world at peace, and a heart filled with love.' It doesn't matter if your skin is brown or white or black, or whether you speak English, Japanese, or Malayalam - the voice, says the Gita, is the same in every creature, and it comes from your true self.
It's hard to focus on a fight when your heart is broken and you're not happy in your relationship, especially if that's your coach. That's like fighting without one leg.
Everything is a self-portrait. A diary. Your whole drug history’s in a strand of your hair. Your fingernails. The forensic details. The lining of your stomach is a document. The calluses on your hand tell all your secrets. Your teeth give you away. Your accent. The wrinkles around your mouth and eyes. Everything you do shows your hand.
Write till your ink be dry, and with your tears
Moist it again, and frame some feeling line
That may discover such integrity.
Be happy when you reach the top: cry, clap your hands, shout to the four winds that you did it, let the wind - the wind is always blowing up there - purify your mind, refresh your tired and sweaty feet, open your eyes, clean the dust from your heart. It feels so good, what was just a dream before, a distant vision, is now part of your life, you did it!
If you've ever sang in falsetto, you know that your throat is between your voice and your mouth. In a standard voice, you sing from your belly. And when you sing in a falsetto, you're blocking that. It gives it a filter. It gives it a character. It's less revealing.
Poetry expands the senses and keeps them in prime condition. It keeps you aware of your nose, your eye, your ear, your tongue, your hand.
Related Authors
Abi Morgan Quotes
Welsh
Playwright
Arthur Miller Quotes
American
Playwright
August Wilson Quotes
American
Playwright
Eve Ensler Quotes
American
Playwright
George Bernard Shaw Quotes
Irish
Playwright
George C. Wolfe Quotes
American
Playwright
Jeff Lindsay Quotes
American
Playwright
Lynn Nottage Quotes
American
Playwright
Moliere Quotes
French
Playwright
Noel Coward Quotes
English
Playwright
Plautus Quotes
Roman
Playwright
Richard Brinsley Sheridan Quotes
Irish
Playwright
Robert Greene Quotes
English
Playwright
Robert Lepage Quotes
Canadian
Playwright
Sam Shepard Quotes
American
Playwright
Tony Kushner Quotes
American
Playwright