A Quote by William Shakespeare

What's brave, what's noble, let's do it after the Roman fashion. — © William Shakespeare
What's brave, what's noble, let's do it after the Roman fashion.
Since art is considered a noble field, art should be used to promote all that is good and noble, and in a noble fashion.
Age's terms of peace, after the long interlude of war with life, have still to be concluded-Youth must keep decently away-so many old wounds may have to be unbound, and old scars pointed to with pride, to prove to ourselves we have been brave and noble.
Noble life demands a noble architecture for noble uses of noble men. Lack of culture means what it has always meant: ignoble civilization and therefore imminent downfall.
Nothing is bigger than life. There's nothing noble in death. What's noble about never seeing the sunshine again? What's noble about having your legs and arms blown off? What's noble about being an idiot? What's noble about being blind and deaf and dumb? What's noble about being dead?
Don't undo a brave and noble deed. Don't rob yourself of your own virtue.
Brave doesn't spread hate or bully the vulnerable. Brave doesn't put greed and self-interest over millions of lives. Brave doesn't cower behind lies and walls. Brave doesn't pit people against one another. That's what fear does.
I've gotten a lot of people saying. 'That is awesome. You're so brave.' I hate when people say brave. I'm not brave. I'm just living my life. Why is that brave?
The first requisite of a gentleman is to be true, brave and noble, and to be therefore a rebuke and scandal to venal and vulgar souls.
After I got into the industry, I got into fashion because before that, I wasn't really into fashion because I couldn't really afford anything. After, I got into this industry, and then I could start to afford them. I started to get into more of the high-fashion stuff.
There are no brave men and cowardly men in the world, my son. There are only brave men. To be born, to live, to die—that takes courage enough in itself, and more than enough. We are all brave men and we are all afraid, and what the world calls a brave man, he too is brave and afraid like the all rest of us. Only he is brave for five minutes longer.
I knew that I would have to be brave. Not foolhardy, not in love with risk and danger, not making ridiculous exhibitions of myself to prove that I wasn't terrified--really genuinely brave. Brave enough to be quiet when quiet was called for, brave enough to observe before flinging myself into something, brave enough to not abandon my true self when someone else wanted to seduce or force me in a direction I didn't want to go, brave enough to stand my ground quietly.
God, make me brave for life: oh, braver than this. Let me straighten after pain, As a tree straightens after the rain, Shining and lovely again. God, make me brave for life; much braver than this. As the blown grass lifts, let me rise From sorrow with quiet eyes, Knowing Thy way is wise. God, make me brave, life brings Such blinding things. Help me to keep my sight; Help me to see aright That out of dark comes light.
It is the nature of the noble and the good and the wise that they impart to us of their nobility and their goodness and their wisdom while they live, making it natural for us to breathe the air they breathe and giving us confidence in our own untested powers. And the same influence in more ethereal fashion they continue to exert after they are gone.
Fashion is not just about trends. It's about political history. You can trace it from the ancient Romans to probably until the '80s, and you can see defining moments that were due either to revolutions or changes in politics. At the end of the Roman era, there was this whole move against togas, because that was the signifier of the Roman Empire. In the same way, the '60s were a reaction against the '50s and so on. But now we've been feeding on a sort of cadaver. At the moment, we're just endlessly recycling the past.
The fashion just now is a Roman Catholic frame of mind with an Agnostic conscience: you get the mediaeval picturesqueness of the one with the modern conveniences of the other.
There was more courage in bearing trouble than in escaping from it; the brave and the energetic cling to hope, even in spite of fortune; the cowardly and the indolent are hurried by their fears,' said Plotius Firmus, Roman Praetorian Guard.
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