A Quote by William Shakespeare

I am indeed not her fool, but her corrupter of words. (Act III, sc. I, 37-38) — © William Shakespeare
I am indeed not her fool, but her corrupter of words. (Act III, sc. I, 37-38)
I am her friend, and her tongue is in my mouth. I can speak her sentiments for her, though Ethel Waters can do very well indeed in speaking for herself.
She could not bear the thought. She simply could not bear the thought that she might somehow prove to her grandfather that her mother had indeed been a fool and her father had been a damned fool and that she was the damnedest fool of them all.
I saw sensuality as sacred, indeed the only sacredness, I saw woman and her beauty as divine since her calling is the most important task of existence: the propagation of the species. I saw woman as the personification of nature, as Isis, and man as her priest, her slave; and I pictured her treating him as cruelly as Nature, who, when she no longer needs something that has served her, tosses it away, while her abuses, indeed her killing it, are its lascivious bliss.
Nature! We live in her midst and know her not. She is incessantly speaking to us, but betrays not her secret. We constantly act upon her, and yet have no power over her. Variant: NATURE! We are surrounded and embraced by her: powerless to separate ourselves from her, and powerless to penetrate beyond her.
But Anne, do you love him?" I asked curiously. The curve of her hood hid all but the corner of her smile. "I am a fool to own it, but I am in a fever for his touch.
I am not a historian. I happen to think that the content of my mother's life - her myths, her superstitions, her prayers, the contents of her pantry, the smell of her kitchen, the song that escaped from her sometimes parched lips, her thoughtful repose and pregnant laughter - are all worthy of art.
She tried to act as though it were nothing to go to the library alone. But her happiness betrayed her. Her smile could not be restrained, and it spread from her tightly pressed mouth, to her round cheeks, almost to the hair ribbons tied in perky bows over her ears.
The man who passes the sentence should swing the sword. Look her in the eyes before you kill her. See her tears, hear her last words. You owe her that much at least." - Eddard Stark
There's no point in comforting words, in telling her she'll be all right. She's no fool. Her hand reaches out and I clutch it like a lifeline. As if it's me who's dying instead of Rue.
Have you heard about the women who stabbed her husband 37 times? I admire her restraint.
Find her, blind her, see who designed her. Act like a dummy until you grind her.
She was battered and beaten up, and not smiling this time. Liesel could see it on her face. Blood leaked from her nose and licked at her lips. Her eyes had blackened. Cuts had opened up and a series of wounds were rising to the surface of her skin. All from the words. From Liesel's words.
Religion is indeed woman's panoply; no one who wishes her happiness would divest her of it; no one who appreciates her virtues would weaken her best security.
Paris was a universe whole and entire unto herself, hollowed and fashioned by history; so she seemed in this age of Napoleon III with her towering buildings, her massive cathedrals, her grand boulevards and ancient winding medieval streets - as vast and indestructible as nature itself.
Oh diary, I love her, I love her, I love her so much. Jordana is the most amazing person I have ever met. I could eat her. I could drink her blood. She's the only person I would allow to be shrunk to microscopic size and explore me in a tiny submersible machine. She is wonderful and beautiful and sensitive and funny and sexy. She's too good for me, she's too good for anyone! All I could do was let her know. I said: "I love you more than words. And I am a big fan of words.
She sat leaning back in her chair, looking ahead, knowing that he was as aware of her as she was of him. She found pleasure in the special self-consciousness it gave her. When she crossed her legs, when she leaned on her arm against the window sill, when she brushed her hair off her forehead - every movement of her body was underscored by a feeling the unadmitted words for which were: Is he seeing it?
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