A Quote by William Shakespeare

I would fain die a dry death. — © William Shakespeare
I would fain die a dry death.
Sweet is true love though given in vain, in vain; And sweet is death who puts an end to pain: I know not which is sweeter, no, not I. Love, art thou sweet? then bitter death must be: Love, thou art bitter; sweet is death to me. O Love, if death be sweeter, let me die. ... I fain would follow love, if that could be; I needs must follow death, who calls for me; Call and I follow, I follow! let me die.
Every man at time of Death, Would fain set forth some saying that may live After his death and better humankind; For death gives life's last word a power to live, And, lie the stone-cut epitaph, remain After the vanished voice, and speak to men.
Even death itself sometimes fails to bring the dignity and serenity which one would fain associate with old age.
What if it is for life's sake that we must die? In truth we are not individuals; and it is because we think ourselves such that death seems unforgivable. We are temporary organs of the race, cells in the body of life; we die and drop away that life may remain young and strong. If we were to live forever, growth would be stifled, and youth would find no room on earth. Death, like style, is the removal of rubbish, the circumcision of the superfluous. In the midst of death life renews itself immortally.
If I didn't write my soul would dry up and die.
The sweat of industry would dry and die, But for the end it works to.
I would like to die peacefully with Thomas Tallis on my iPod before the disease takes me over and I hope that will not be for quite some time to come, because if I knew that I could die at any time I wanted, then suddenly every day would be as precious as a million pounds, if I knew that I could die, I would live. My life, my death, my choice.
Did I pray for death? I did one time. I wanted to die so badly. And I didn't want to die. I wanted to rest, you know. And I knew the only rest I would find is in death.
If death itself were to die, would it have a ghost, and would the ghost of death visit the dead in the guise of someone alive, if only to fright them from any temptation to return?
A man sentenced to death obtained a reprieve by assuring the king he would teach his majesty's horse to fly within the year - on the condition that if he didn't succeed, he would be put to death at the end of the year. "Within a year," the man explained later, "the king may die, or I may die, or the horse may die. Furthermore, in a year, who knows? Maybe the horse will learn to fly." My philosophy is like that man's. I take the long-range view.
I am alarmed when it happens that I have walked a mile into the woods bodily, without getting there in spirit. In my afternoon walk I would fain forget all my morning occupations and my obligations to Society. But it sometimes happens that I cannot easily shake off the village. The thought of some work will run in my head and I am not where my body is - I am out of my senses. In my walks I would fain return to my senses. What business have I in the woods, if I am thinking of something out of the woods?
We are left with nothing but death, the irreducible fact of our own mortality. Death after a long illness we can accept with resignation. Even accidental death we can ascribe to fate. But for a man to die of no apparent cause, for a man to die simply because he is a man, brings us so close to the invisible boundary between life and death that we no longer know which side we are on. Life becomes death, and it is as if this death has owned this life all along. Death without warning. Which is to say: life stops. And it can stop at any moment.
They, then, who are destined to die, need not be careful to inquire what death they are to die, but into what place death will usher them.
This surpassed the fear of death. Death would be a mercy if it would make the feeling stop, the uncontrollable panic mingling with the mind-scrambling certainty of something sinister approaching, something with no need to hurry, something that would not be so kind as to let him die. The fear was palpable, suffocating, irresistible.
But, who is Death? A figure that harrows and wastes wherever and however it pleases. This is also a possible description of the Countess Bathory. Never did anyone wish so hard not to grow old; I mean, to die. That is why, perhaps, she acted and played the role of Death. Because, how can Death possibly die?
Every climb is different. The Dawn Wall was so dry and aggressive that my fingers would dry out to the point where they would crack. So I actually had to add as much moisture as possible.
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