A Quote by William Shakespeare
Yet but three come one more. Two of both kinds make up four. Ere she comes curst and sad. Cupid is a knavish lad. Thus to make poor females mad.
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Cupid is a knavish lad, Thus to make poor females mad.
Now, everybody knows the basic erogenous zones. You got one, two, three, four, five, six, and seven. ... OK, now most guys will hit one, two, three and then go to seven and set up camp. ... You want to hit 'em all and you wanna mix 'em up. You gotta keep 'em on their toes. ... You could start out with a little one. A two. A one, two, three. A three. A five. A four. A three, two. Two. A two, four, six. Two, four, six. Four. Two. Two. Four, seven! Five, seven! Six, seven! Seven! Seven! Seven! Seven! Seven! Seven! Seven! Seven! Seven! [holds up seven fingers]
Just tell 'em you're gonna soak the fat boys and forget the rest of the tax stuff...Willie, make 'em cry, make 'em laugh, make 'em mad, even mad at you. Stir them up and they'll love it and come back for more, but, for heaven's sakes, don't try to improve their minds.
To make it more familiar to me, I ended up treating my swordplay scenes like choreography. So it was, 'One and two and three and four and five, and turn and step and down and up and lunge.
To make it more familiar to me, I ended up treating my swordplay scenes like choreography. So it was, 'One and two and three and four and five, and turn and step and down and up and lunge.'
Four things to think about. 1. Beware of all enterprises that require new clothes, and not rather a new wearer of clothes. 2. Let your affairs be as two or three, and not a hundred. 3. Keep three chairs in your house. One for solitude, two for friendship, three for society. 4. To preserve your relationship to nature, make your life more moral, more pure, more innocent.
Whenever there's a red carpet event coming up my trainer in LA that I see, I always come to her like three days before and go, 'Can you make me really thin in three days?' She's always like, 'If you come to me consistently all throughout the year, then yes I can. When you come to me with three days and ask to lose 10 pounds it's just not going to happen.' I'm like, 'Do your best. Please. Make me skinny.'
My earliest memories of Gwyneth first singing is in bed when we would make up songs. The most I could do was harmonize, like, a third above, and at two years old, she'd be doing sixths. I said, 'Where in the world did that come from?' She'd just make up songs.
My whole life . . . two and two has made four.”... “But now . . . it’s all gone wrong.” She shook her head. “It doesn’t make four anymore. It makes you.
Two or three notes of music can instantly make you feel sad or tense or afraid or angry. To do that in words is much more difficult.
Terence, this is stupid stuff: You eat your victuals fast enough; There can't be much amiss, 'tis clear, To see the rate you drink your beer. But oh, good Lord, the verse you make, It gives a chap the belly-ache. The cow, the old cow, she is dead; It sleeps well the horned head: We poor lads, 'tis our turn now To hear such tunes as killed the cow. Pretty friendship 'tis to rhyme Your friends to death before their time. Moping, melancholy mad: Come, pipe a tune to dance to, lad.
Everything in life is made up...You make up that you are happy. You make up that you are sad. You make up that you are in love. If you don't make up your own life, who's going to make it up for you? It's bad enough when you die and everybody can make up their own stories about you. —Mr. Hooft
Where you can make up ground is if the wind blows and your opponents make big numbers. I think you can shoot three, four, five-under par. But to make up a six, seven or eight-shot lead, that will be tough without the leaders coming back.
When the ghost comes round at midnight Well you both can have some fun He can drive you mad, he can make you sad He can keep you from the sun When they take him down, he'll be both safe and sound And the hand does fit the glove And no matter what they tell you, There's good and evil in everyone.
Three poets, in three distant ages born, Greece, Italy, and England did adorn. The first in loftiness of thought surpass'd; The next, in majesty; in both the last. The force of Nature could no further go; To make a third, she join'd the former two.
Bach was so mathematical and I liked this idea that you could have one instrument going, 'One, two, three, four', and then you have another instrument going, [double time] 'One, two, three four', and another instrument going, [doubled again] 'One, two, three, four, one, two, three, four', so you could add twos and fours and eighths, and that happens a lot in Bach.
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