A Quote by William Shakespeare
Why, universal plodding poisons up The nimble spirits in the arteries, As motion and long-during action tires The sinewy vigor of the traveller.
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The blood, the fountain whence the spirits flow The generous stream that waters every part, And motion, vigor, and warm life conveys To every particle that moves or lives.
Markets are nimble and efficient, gathering the collective but disbursed intelligence of the economy's players and communicating up-to-the-minute realities of prices, product availability, etc. Government is typically cumbersome, plodding, and slow.
A race preserves its vigor so long as it harbors a real contrast between what has been and what may be; and so long as it is nerved by the vigor to adventure beyond the safeties of the past. Without adventure civilization is in full decay.
In truth, I am nothing but a plodding mediocrity — please observe, a plodding mediocrity — for a mere mediocrity does not go very far, but a plodding one gets quite a distance. There is joy in that success, and a distinction can come from courage, fidelity and industry.
The spirits increase, vigor grows through a wound.
Wherefore the brain must be looked upon as the universal and general sensory and at the same time as the universal and general motory organ of the body and finally as the universal and general laboratory of the animal spirits and the blood or of the essential juices of life.
I'm doing great heart-wise. I get a complete stress test once a year, and those have gone well. I have stents in two arteries, and they are holding up. My other arteries haven't shown any additional clogging.
It is exercise alone that supports the spirits, and keeps the mind in vigor.
External motion we call action; internal motion is human thought.
The chief condition on which, life, health and vigor depend on, is action. It is by action that an organism develops its faculties, increases its energy, and attains the fulfillment of its destiny.
Once you envision something and the Universal forces come into play to help you in the creation of it, there's never again going to be enough action for you to keep up with it. You can't use the Energy that creates worlds to create a situation and then find the action to keep up with it. You have to keep envisioning. You have to keep imagining it better.
All religions are branches of one big tree. It doesn't matter what you call Him just as long as you call. Just as cinematic images appear to be real but are only combinations of light and shade, so is the universal variety a delusion. The planetary spheres, with their countless forms of life, are naught but figures in a cosmic motion picture. One's values are profoundly changed when he is finally convinced that creation is only a vast motion picture and that not in, but beyond, lies his own ultimate reality.
XXVIII "Truth," said a traveller, "Is a rock, a mighty fortress; "Often have I been to it, "Even to its highest tower, "From whence the world looks black." "Truth," said a traveller, "Is a breath, a wind, "A shadow, a phantom; "Long have I pursued it, "But never have I touched "The hem of its garment." And I believed the second traveller; For truth was to me A breath, a wind, A shadow, a phantom, And never had I touched The hem of its garment.
Basic dance--and I should qualify the word basic--is primarily concerned with motion. So immediately you will say but the basketball player is concerned with motion. That is so--but he is not concerned with it primarily. His action is a means towards an end beyond motion. In basic dance the motion is its own end--that is, it is concerned with nothing beyond itself.
Why, we have invented the whole machinery of the supernatural, with its unseen spirits and powers, good and bad, to account for things, because we found the universal everyday nature too cheap, too common, too vulgar.
I know nothing about pistols and revolvers, which is why I usually kill off my characters with a blunt instrument or better with poisons. Besides, poisons are neat and clean and really exciting... I do not think I could look a really ghastly mangled body in the face. It is the means that I am interested in. I do not usually describe the end, which is often a corpse.
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