A Quote by William Shakespeare
Oh, injurious love, that respites me a life, whose very comfort is still a dying horror
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As a horror movie fan, I was very obsessed with horror films. Still am. I love the genre. For me, horror films are opera, and they are... instead of consumption killing off the young lovers, it's Jason Voorhees or Michael Myers. It is when the stakes are at their absolute largest in a story: whether somebody is going to live or die. In a way, it's just holding up a mirror to life.
I spent years only ever reading horror and then trying to write horror - and deep down, a horror writer is still what I'd love to be. But it wasn't until I started writing crime that things began to work for me.
I'm still a tomboy. I mean, I obviously dress it up slightly more, but when I'm just me, I'm still very casual. I love comfort. Comfort is very key to me because I spend most of my time in very uncomfortable things, so it's all about trainers and flats. On a shoot, if they're like, "Play around a bit," I'm going to be climbing on top of things and jumping off, and people are going to be trying to stop me, like, "You mucked this up," and, "You're going to hurt yourself," while I'm flying around in heels, just being crazy.
I was born on Halloween night, 2:00 am on November 1st, but still Halloween night in the USA. I think it was a destiny for me to work quite a bit in the horror genre. I love the horror genre. Since I was a teenager, my friends and I used to go to a video store and rent many horror movies that we would watch over the weekend and then scare each other at school. I've been fascinated with the horror genre all my life.
I love comfort. Comfort is very key to me because I spend most of my time in very uncomfortable things, so it's all about trainers and flats.
Loving with human love, one may pass from love to hatred; but divine love cannot change. Nothing, not even death, can shatter it. It is all the very nature of the soul. Love is life. All, all that I understand, I understand only because of love. All is bound up in love alone. Love is God and dying means for me a particle of love, to go back to the universal and eternal source of love.
Dolls, perhaps more than any other object, demonstrate just how thin the line between love and fear, comfort and horror, can be. They are objects of love and sources of reassurance for children, coveted prizes for collectors, sources of terror and horror in numerous movies, television shows, books, and stories.
When a man sees a dying animal, horror comes over him: that which he himself is, his essence, is obviously being annihilated before his eyes--is ceasing to be. But when the dying one is a person, and a beloved person, then, besides a sense of horror at the annihilation of life, there is a feeling of severance and a spiritual wound which, like a physical wound, sometimes kills and sometimes heals, but always hurts and fears any external, irritating touch.
Tyra the businesswoman is very close to - and I hate third person, but you said it, oh, chiiild, you said it - but me the businessperson and me the person: very similar. I can be in a business meeting and be all 'Wooo!' and 'Oh, child!' and still be talking revenues and profits and cash flows.
It's intriguing to me, when I see a horror script, or something like that, that's actually original. I think that's why I love 'Stranger Things,' because it's not just horror, it's everything, and when they use horror it's right.
As a kid I was into horror. I loved horror. Horror was huge. I was always into horror. Goosebumps for me was massive growing up. Horror for me was always a big thing.
I need more than anything right now what is, of course, most impossible, someone to love me, to be with me at night when I wake up in shuddering horror and fear of the cement tunnels leading down to the shock room, to comfort me with an assurance that no psychiatrist can quite manage to convey.
The question of surrender is political, it is not a question of love. And relationship is not love at all; it means love has ended and relationship has begun. It begins very soon after the honeymoon - mostly in the middle of the honeymoon. It is not easy to live with another person whose life-style is different, whose likings are different, whose education and culture is different, and above all the other happens to be a woman - even their biology is different.
I told her, Don't touch me that way. Don't come at me with that sour-cream smile. Come at me as if I were worth your life - the life we make together. Take me like a turtle whose shell must be cracked, whose heart is ice, who needs your heat. Love me like a warrior, sweat up to your earlobes and all your hope between your teeth. Love me so I know I am at least as important as anything you have ever wanted.
In The Shining, you love Shelley Duvall. You love Jack Nicholson. You're let into the intimacy of that violence and it's emotional and it's physical. We're let in very close. So I think a good horror film has to pull you in very deeply inside. Halloween is a good horror film because we love Jamie Lee Curtis, we're brought very deeply in right when she's babysitting the kids. She's going from house to house, all those houses have windows that you can look in. We're a very vulnerable and exposed audience.
It's a very good time for horror. This business certainly has changed, but there's still room for serious horror films. Look at 28 Days Later, that's not a tongue-in-cheek picture.
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