A Quote by William Shakespeare
Alas, that love, whose view is muffled still, Should without eyes see pathways to his will!
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Alas, that love, so gentle in his view, Should be so tyrannous and rough in proof! *It’s sad. Love looks like a nice thing, but it’s actually very rough when you experience it.*
I held his gaze. I could see the storm in his eyes. I knew he was confused. I could see the fear. Then there was the love. I saw it. The fierceness in his eyes. I believed it. I could see it clearly. But it was too late now. The love wasn't enough. Everyone always said that love was enough. It wasn't. Not when your soul was shattered.
I don't understand what you're still doing here." She blinked and nodded miserably, then began to turn away. "No!" He pulled her back. "Don't leave. It's just that you've never—we've never... gotten this far." He closed his eyes. "Will you say it again?" he asked, almost shyly. "Will you tell me ... what I am?" "You're an angel," she repeated slowly, surprised to see Daniel close his eyes and moan in pleasure, almost as if they were kissing. "I'm in love with an angel.
it's way too early for him to be talking anyhow but I see in his eyes something and I see in his eyes a voice and I see in his eyes a whole new set of words
I am stronger when Tessa is here, you see. I told it to you," said Jem, still in the same soft voice. At that, Will did duck his head so that Tessa could not see his eyes. "I see it," he said.
I should like to see any power of the world destroy this race, this small tribe of unimportant people, whose wars have all been fought and lost, whose structures have crumbled, literature is unread, music is unheard, and prayers are no more answered. Go ahead, destroy Armenia . See if you can do it. Send them into the desert without bread or water. Burn their homes and churches. Then see if they will not laugh, sing and pray again. For when two of them meet anywhere in the world, see if they will not create a New Armenia.
We look into each other's eyes as we shake. His are still full of death and horror, but in them I see my face reflected, and inside my tiny eyes inside his, I think I see some hope.
We are most blessed when we see ourselves as we are seen by [the Savior] and know ourselves as we are known by Him. In this world, we do not really grasp who we are until we know whose we are. The Lord says, 'I will not forget you. I have graven you on the palms of my hands' (see Isaiah 49:15-16). He will never forget us nor our real identity. [And, neither should we ever] forget whose we are. We are His.
When you look in the eyes of grace, when you meet grace, when you embrace grace, when you see the nail prints in grace’s hands and the fire in his eyes, when you feel his relentless love for you - it will not motivate you to sin. It will motivate you to righteousness.
I do not now begin, - I still adore Her whom I early cherish'd in my breast; Then once again with prudence dispossess'd, And to whose heart I'm driven back once more. The love of Petrarch, that all-glorious love, Was unrequited, and, alas, full sad.
Man can no more leave God out of his philosophies than he can live without his heart or see without his eyes.
An earnest conjuration from the King,
As England was his faithful tributary,
As love between them like the palm might flourish,
As peace should still her wheaten garland wear
And stand a comma 'tween their amities,
And many such-like as's of great charge,
That, on the view and knowing of these contents,
Without debatement further, more or less,
He should the bearers put to sudden death,
Not shriving time allow'd.
You asked me once if I would still love you when your lips were puckered with age and your eyes were faded. I can assure you that I will still love you when I have only the strength (and the scant teeth) left to gum those puckered lips. I shall love you when your bones are sharp enough to pierce my fragile flesh. I shall love you when the light in my own eyes fades for good and yours is the last sweet face I see. Because I am and ever shall be.
Ideally a painter (and, generally, an artist) should not become conscious of his insights: without taking the detour through his reflective processes, and incomprehensibly to himself, all his progress should enter so swiftly into the work that he is unable to recognize them in the moment of transition. Alas, the artist who waits in ambush there, watching, detaining them, will find them transformed like the beautiful gold in the fairy tale which cannot remain gold because some small detail was not taken care of.
The tears into his eyes were brought, And thanks and praises seemed to run So fast out of his heart, I thought They never would have done. -I've heard of hearts unkind, kind deeds With coldness still returning; Alas! the gratitude of men Hath oftener left me mourning.
And all who heard should see them there, And all should cry, Beware! Beware! His flashing eyes, his floating hair! Weave a circle round him thrice, And close your eyes with holy dread, For he on honey-dew hath fed, And drunk the milk of Paradise.
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