A Quote by William Shakespeare

The tempter or the tempted, who sins most? Ha! Not she: nor doth she tempt: but it is I That, lying by the violet in the sun, Do as the carrion does, not as the flower, Corrupt with virtuous season.
The tempter or the tempted, who sins most?
The Girl of the Period, sauntering before one down Broadway, is one panorama of awful surprises from top to toe. Her clothes characterize her. She never characterizes her clothes. She is upholstered, not ornamented. She is bundled, not draped. She is puckered, not folded. She struts, she does not sweep. She has not one of the attributes of nature nor of proper art. She neither soothes the eye like a flower, nor pleases it like a picture. She wearies it like a kaleidoscope. She is a meaningless dazzle of broken effects.
Don't untie me," she said, "no matter what happens or how much I plead. I'll want to go straight over the edge and drown myself." "Are you trying to tempt me?" "Ha-ha.
Jace slammed his hand down on the stele. “Clary-“ “She said she doesn’t want it,” said Simon. “Ha-ha.” “Ha-ha?” Jace looked incredulous. “That’s your comeback?
Others, again, give us the mere carcass of another man’s thoughts, but deprived of all their life and spirit, and this is to add murder to robbery. I have somewhere seen it observed, that we should make the same use of a book, as a bee does of a flower; she steals sweets from it, but does not injure it; and those sweets she herself improves and concocts into honey. But most plagiarists, like the drone, have neither taste to select, nor industry to acquire, nor skill to improve, but impudently pilfer the honey ready prepared from the hive.
You cannot hammer a girl into anything. She grows as a flower does, she will wither without sun; she will decay in her sheath as a narcissus will if you do not give her air enough; she might fall and defile her head in dust if you leave her without help at some moments in her life; but you cannot fetter her; she must take her own fair form and way if she take any.
Is there no Villain in this World who doth not regard himself as a poor abus'd Innocent, no She-Wolf who doth not think herself a Lamb, no Shark who doth not fancy that she is a Goldfish?
I’m trying to embroider.” Hyacinth held up her handiwork as proof. “You’re trying to avoid—” Her mother stopped, blinking. “I say, why does that flower have an ear?” “It’s not an ear.” Hyacinth looked down. “And it’s not a flower.” “Wasn’t it a flower yesterday?” “I have a very creative mind,” Hyacinth ground out, giving the blasted flower another ear. “That,” Violet said, “has never been in any doubt.” Hyacinth looked down at the mess on the fabric. “It’s a tabby cat,” she announced. “I just need to give it a tail.
Look at someone like Ke$ha. I wouldn't say she's got the most rangy, incredible voice, but she's got a thing. She stands for something, and people are buying into that.
So a maiden, whilst she remains untouched, so long is she dear to her own; when she has lost her chaste flower with sullied body, she remains neither lovely to boys nor dear to girls.
SHE is neither pink nor pale, And she never will be all mine; She learned her hands in a fairy-tale, And her mouth on a valentine. She has more hair than she needs; In the sun ’tis a woe to me! And her voice is a string of colored beads, Or steps leading into the sea. She loves me all that she can, And her ways to my ways resign; But she was not made for any man, And she never will be all mine.
Where woman has taken her place in business she has found her method ready-shaped for her, and following that, she does her work,if with a certain amount of monotony, yet without undue fatigue. Her hours are fixed, and as a rule she gets needful change of scene as she goes to her business and returns to her home or the place where she lives. But the "home- maker" has not, nor can she have, any such change, and her hours are always from the rising of the sun beyond the going down of the same.
This season is a lot funnier, not as dark, mainly because, well, she has accepted the fact that she is dead. She knows she cannot go back to where she was when she was alive.
Courage looks you straight in the eye. She is not impressed with power trippers, and she knows first aid. Courage is not afraid to weep, and she is not afraid to pray, even when she is not sure who she is praying to. When she walks it is clear she has made the journey from loneliness to solitude. The people who told me she was stern were not lying. they just forgot to mention she was kind.
At last, she makes her choice. She turns around, drops her head, and walks toward a horizon she cannot see. After that, she does not look back anymore. She knows that if she does, she will weaken.
She really does like him, she likes lying next to him, she wants to be around him; when you get down to it, can you say that about many people?
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