A Quote by William Shatner
I had been in a Shakespeare company for three years and done a lot of Shakespeare. That was fun. That was interesting. It was a lot of work - anything other than Shakespeare was less work. I had a lot of interesting roles, but I don't point to them and say, "That was more interesting than that," because I don't know what the criteria are.
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I had been in a Shakespeare company for three years and done a lot of Shakespeare. That was fun. That was interesting.
I think American actors are much more intimidated by Shakespeare. I actually want to do this Shakespeare play in New York, but I think it's interesting that there's this gaping hole in the repertoire in the American theater, which is Shakespeare. It's hardly ever done, compared to how often it's done in other companies, not just Britain. Someone from the Roundabout Theater Company - I said, "You never do Shakespeare." And he said, "Yes, we're not very good at it." And I thought, "What a terrible thing to say.".
When I was doing Shakespeare and I had spent a lot of time and effort in trying to become a great Shakespearean actress. That was how I started my career, was in the theater doing Shakespeare. And my ambition was to be a great classical actress. That was what I wanted more than anything. So, I really pursued that in the first four years of my career. And it was an uphill struggle. It really was. Shakespeare's difficult and Shakespeare in a big theater is even more difficult. So, anyway, it was a struggle for me.
I've done a lot of Shakespeare as a young man; I was involved with Shakespeare and Company.
All the unimaginative assholes in the world who imagine that Shakespeare couldn't have written Shakespeare because it was impossible from what we know about Shakespeare of Stratford that such a man would have had the experience to imagine such things - well, this denies the very thing that separates Shakespeare from almost every other writer in the world: an imagination that is untouchable and nonstop.
I certainly play people on the edge quite a lot. I am interested in what makes people odd and what makes them different. In life I try to play the edges. I have a horror of the herd. There are many, many different sorts of people. A lot of people are fairly uninteresting. I want to play the interesting ones. The villains are always more interesting to portray. Shakespeare knew that.
There are a lot of roles in Shakespeare, basically. If I feel that the script is a movie, I would be interested in doing any role of Shakespeare's.
The trap in Hamlet is he's the most passive of Shakespeare's characters. He's not a Richard III, not out there taking a lot of action. It's a lot of asides and soliloquies where he's wrapped in angst, and that's not a very interesting character.
I liked Shakespeare in high school, but in university I spent a semester studying in London, and it was sort of in the middle of me falling deeply in love with literature, and I took a Shakespeare course with a professor who couldn't imagine anything more important than Shakespeare.
It's been very interesting. We've seen a lot of interesting testimony. We've seen a lot of interesting people, a lot of allegations, a lot of lies, a lot of misinformation and some truth.
"With this same key Shakespeare unlocked his heart" once more! Did Shakespeare? If so, the less Shakespeare he!
A lot of people have a fear of Shakespeare. Even actors do. People are like, "Oh, I won't go and see Shakespeare because the language is so hard," but it is. When you read it on the page, you go, "What?! What does that mean?!" If you go to a Shakespeare play and you've never been, you sit there and go, "I'm an idiot! I don't get it!"
I love acting. It's a lot of fun work, interesting work, and you get to work with some very interesting people. But I seemed to be OK walking away from it for a little while and then coming back to it.
Not Shakespeare. In college I took a Shakespeare class because I was an English major, and they had a Summer program called Shakespeare at Winedale, which is out in the German Hill country in Texas , where you go out and live for two months and then you perform three plays at the end of that time.
Most of my career has been spent with the RSC doing Shakespeare, and the thing you learn from Shakespeare is that his historical plays don't bear anything other than a basic resemblance to history.
It is no exaggeration to say that the English Bible is, next to Shakespeare, the greatest work in English literature, and that it will have much more influence than even Shakespeare upon the written and spoken language of the English race.
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