A Quote by William Shatner
Spencer Tracy was a man who did very much what I do on a set, and that is, he comes down and he does his job, and then he goes back to his dressing room.
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When I did that interview with Hepburn, the only ground rule was, you did not discuss Spencer Tracy. Spencer Tracy's widow is still alive, and she respected that.
Undertaker was always a leader in the dressing room, always a man's man. No one ever doubted what he said because his word was good. He was a guy that set the dressing room standard. If you had an issue or personal problem, you could go to Undertaker and he would help you.
I was on the set when I was five years old with Spencer Tracy. A lot of what I learned growing up in terms of artistry is very clean, very tidy, very organized.
If we want to understand the actions of a man in the early 1860's, put yourself back there in his shoes. As a young man he began piloting steamboats on the Mississippi, a job he loved and wanted to do the rest of his life, he said. The Civil War ended traffic on the River and his job. He wrote about it in A History of A Campaign That Failed. He said: "I joined the Confederacy, served for two weeks, deserted, and the Confederacy fell." His attachment to the Southern ideal of slavery does not appear very sturdy.
[Leonardo DiCaprio] invited me into his dressing room, and then we went into his hotel room where we stayed. We shared caramel popcorn. I think that was the coolest thing, sharing popcorn with this movie star. And then we wrestled! I always share that story with people.
I never go on a movie set as the star. I always go as the guy who just does his job, like the electrician does his job and the hairdresser does her job. Let's all work together and make this happen, rather than have the star treatment. I don't do that.
Cupid and my Campaspe play'd
At cards for kisses - Cupid paid:
He stakes his quiver, bow, and arrows,
His mother's doves, and team of sparrows;
Loses them too; then down he throws
The coral of his lips, the rose
Growing one's cheek (but none knows how);
With these, the crystal of his brow,
And then the dimple of his chin:
All these did my Campaspe win.
At last he set her both his eyes -
She won, and Cupid blind did rise.
O Love! has she done this for thee?
What shall, alas! become of me?
The way I became 'Lil Tracy' was Nedarb was throwing away his old clothes, then there was this old Tracy McGrady jersey. I put it on and I was like 'I'm Lil Tracy!'
There is nothing a worker resents more than to see some man taking his job. A factory can be closed down, its chimneys smokeless, waiting for the worker to come back to his job, and all will be peaceful. But the moment workers are imported, and the striker sees his own place usurped, there is bound to be trouble.
Men are confused. They're conflicted. They want a woman who's their intellectual equal, but they're afraid of women like that. They want a woman they can dominate, but then they hate her for being weak. It's an ambivalence that goes back to a man's relationship with his mother. Source of his life, center of his universe, object of both his fear and his love.
When I did 'Racing Demon' by David Hare, I worked with Paul Giamatti, who had stacks of books in his dressing room. I was offstage a lot, so I would go read in his room. He was reading a four-part series on the Byzantine Empire by Alexander A. Vasiliev. I read two of those during the run of the play.
I want your hands on my head.” I nod and edge back to make room for him. “Does it calm your racing thoughts?” He shakes his head, then takes my hand and spreads it open over his wide chest, his voice textured as he traps my gaze with his. “It calms me here.
I'm sure Jofra Archer will be loving heading into his first World Cup. He is in the dressing room as he comes across on the field - laidback and very confident in his ability.
It is God's earth out of which man is taken. From it he has his body. His body belongs to his essential being. Man's body is not his prison, his shell his exterior, but man himself. Man does not "have" a body; he does not "have" a soul; rather he "is" body and soul. Man in the beginning is really his body. He is one. He is his body, as Christ is completely his body, as the Church is the body of Christ
A man who gives way to his passions is like a man who is shot by an enemy, catches the arrow in his hands, and then plunges it into his own heart. A man who is resisting his passions is like a man who is shot by an enemy, and although the arrow hits him, it does not seriously wound him because he is wearing a breastplate. But the man who is uprooting his passions is like a man who is shot by an enemy, but who strikes the arrow and shatters it or turns it back into his enemies heart.
Stanley Kramer? Spencer Tracy? No one turns down being in a movie with them.
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