A Quote by William Shatner

Every piece of entertainment is made with the idea that 'This is going to be terrific' and 'This is the best thing I've ever done' and then it hits the public and then the public tells you whether it's good or bad.
I thought I had my feet on the ground, but if someone tells you every day you're going to be the next big thing then...So then if you aren't, you think, 'Have I done something wrong?'
For many years, I didn't even like the idea of doing a one-person play. Public speaking got me past that. I've always been good at public speaking, but I never really enjoyed it. Then I started to really enjoy it, and that's made all the difference.
Once you start to provide public services that have to be run under public rules, for example child protection, then it has to go with public law. Institutions have to make a decision whether they want to do that or they don't want to do that.
Much of what's called 'public' is increasingly a private good paid for by users - ever-higher tolls on public highways and public bridges, higher tuitions at so-called public universities, higher admission fees at public parks and public museums.
The whole, 'Is the Internet a good thing or a bad thing'? We're done with that. It's just a thing. How to maximise its civic value, its public good - that's the really big challenge.
Don't talk to me about appealing to the public. I am done with the public, for the present anyway. The public reads the headlines and that is all. The story itself is fair and shows the facts. That would be all right if the public read the facts. But it does not. It reads the headlines and listens to the demagogues and that's the stuff public opinion is made of.
Going public for the sake of going public is not really an optimal thing. You're going public because as a company you believe it is the right thing to do and it will benefit the ability of the company to achieve its long-term objectives.
And it's best if you know a good thing is going to happen, like an eclipse or getting a microscope for Christmas. And it's bad if you know a bad thing is going to happen, like having a filling or going to France. But I think it is worst if you don't know whether it is a good thing or a bad thing which is going to happen.
When you're 18 and you've made the album of your dreams, you're not really thinking about the machinery that will actually take it to the public. You just think: "I've done the best thing that I could ever do and this is the most magic moment for me."
There seems to be a concern about whether the public appreciation of science has eroded to a point where it has removed science from public debate and public decision making. Whether the public has come to regard evidence as optional.
Have you ever had a moment where you finish a piece, and then all of a sudden the piece sort of takes on it's own life beyond you? It doesn't happen every time, but there are some pieces where that happens, and I love that. I feel like that's what I'm seeking nowadays, that moment of transcendence with a piece. Where this thing becomes larger than me as a person. It becomes otherworldly, and then I get separated as maker from it, and then it has it's own life. I love that.
A society - any society - is defined as a set of mutual benefits and duties embodied most visibly in public institutions: public schools, public libraries, public transportation, public hospitals, public parks, public museums, public recreation, public universities, and so on.
Turbulence is a condition that we all experience during a flight when the plane is bouncing around by competing air currents. By analogy, the economy may bounce around a lot because of competing currents of public moods and investments. One week everyone might be optimistic and then suddenly something happens to turn everyone into pessimists. Investment dries up and investors become risk averse. A sudden piece of good news then turns around the public mood.
For me there's insecurity when you're releasing an album because you spend all of this time working on that one thing and then once it's done, it's done. After you put it out there to the public you never know which songs are going to work or even if the album is going to work as a whole so there is a little bit of nervousness around predicting what the numbers will be and if it's going to be well-received.
Some speak of the public as if it were someone with whom they have had dinner at the Leipzig Fair in the Hotel de Saxe. Who is this public? The public is not a thing, but rather an idea, a postulate, like the Church.
If something's public then it seems like the important thing is the person in that public. And the notion of rhetoric. I went to Jesuit schools that focused on first there's grammar, then there's rhetoric, and rhetoric's usually seen as a kind of degraded method, because you're trying to persuade.
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