A Quote by William Shatner

I'm anxious to make another film. — © William Shatner
I'm anxious to make another film.
When I go to where I was getting excellent parts in movies I may have taken a few too soon, too anxious to go back to work and to anxious to make another film and to succeed more.
I want to make a period film, I want to make a film set in another country. I want to make a foreign film. I want to make everything eventually. I am a storyteller. I have many stories to tell.
You make a film and always hope you're going make "Citizen Kane" or "The Bicycle Thief." You make the film, and for one reason or another, one clicks and one doesn't, but it's out of your control completely.
There is always pressure. If you make a flop film then you are under pressure to make a hit film. If you make a hit film then you are under pressure to surpass your own standard or at least deliver another hit because the audience also has expectations.
I want to make another film. I want to make a better film about the legendary Babaji, with more close-encounter stories of people who have been with him.
I long to make films. I'm dying to be inside the next film. I always hope there will be another film.
I certainly didn't want to make another movie that's 'just another Dracula film.'
I want to release another CD this year, finish writing a screenplay, and make another short film.
I want to release another CD this year, finish writing a screenplay, and make another short film
There's something that happens where you go, if you're lucky, goodness me, from film to another film to another film. And you can sort of feel that if you step off that treadmill, it might all go horribly wrong and you might never be employed again, you know. And I suddenly thought that that's not necessarily the case. And I also thought we make drama as actors about people in the world and that if you are on that treadmill, you start making films about other films.
It was a film that I knew, that I had seen, that I was familiar with, but I wasn't anxious about it at any point during the screening. I snoozed twice, and this is something I couldn't have imagined that I would feel detached, as I did with this film [Certified Copy].
My best film is always my next film. I couldn't make Chungking Express now, because of the way I live and drink I've forgotten how I did it. I don't believe in film school or film theory. Just try and get in there and make the bloody film, do good work and be with people you love.
People will watch your film only if it's good. Another star's flop won't make your film a hit. So my race is with myself.
Because you make a world that didn't exist before, and you can go into that world deeper and deeper. It's unbounded out there. One film takes you into one area, another film takes you into another area. There could be trillions, zillions of worlds that exist in the big space.
A film like 'Good Night And Good Luck,' you make that for $7 million because you know it's a black-and-white film, and it's not an easy sell. If you make it for $7 million, then everybody can have a chance to make a little bit of money, and you get to make the film you want to make.
To make a documentary is one thing, to make a feature film is quite another.
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