A Quote by William Shenstone
In designing a house and gardens, it is happy when there is an opportunity of maintaining a subordination of parts; the house so luckily place as to exhibit a view of the whole design. I have sometimes thought that there was room for it to resemble a epic or dramatic poem.
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Always design a thing by considering it in its next larger context - a chair in a room, a room in a house, a house in an environment, an environment in a city plan.
My opening line to my students, and a recurring theme in my classes, was that the big design problem isn't designing a house for your parents or yourself, a museum, or a toaster, or a book, or whatever. The big design problem is designing your life. It's by the design of your life that you create the backboard off which you bounce all your thoughts and ideas and creativity. You have to decide what it is that you want to do each day.
TREE HOUSE A tree house, a free house, A secret you and me house, A high up in the leafy branches Cozy as can be house. A street house, a neat house, Be sure to wipe your feet house Is not my kind of house at all- Let's go live in a tree house.
One recurring dream, many others have also: you go into a familiar house, discover a door or hallway, and find the house continues into hidden rooms. Sometimes a whole second house is there, a larger and unknown extension of the familiar dwelling.
God is still in the business of coming down to earth: to this cubicle, this email, this room, this house, this job, this hospital room, this car, this bed, this vacation. Any place can become Bethel, the house of God. Cleveland, maybe. Or the chair you're sitting in as you read these words.
I was born in Swindon... a place that always looked west. I found that wherever I go I love to have a room with a view of the western sky. My late brother and I, when we were small, had a room at the back of the house that overlooked the sunset; and both for he and I it was kind of magical.
I was going to do a big radio show, and I said to my driver, 'Radio can wait, take me to the Full House house.' It literally was a drive-by. I photobombed the Full House house yesterday. I took like 20 pictures because I thought I didn't look good in any of these - you can't see the house! You gotta really show that that's the house!
The first comedy screenplay that I wrote was Animal House and I always thought I could and should be a director but no one was about to give me that opportunity on Animal House.
This is really what the White House is all about. It’s the “People’s House.” It’s a place that is steeped in history, but it’s also a place where everyone should feel welcome. And that's why my husband and I have made it our mission to open up the house to as many people as we can.
He never has made a living. He went from my grandparents' house to the very regimented military school, back to the house, to my grandfather's company, to the Trump Organization, which I view as a sinecure for him. And then 'The Apprentice,' whatever that was, and the White House.
I was actually asked to do the Christmas design for the White House. I thought it would be interesting, given that it has such a rich history, to decorate around some real beautiful oversized images of the history of the White House and the history of the country.
All I really want is a three-room house. The home I have designed at my new farm in Bedford, New York, is a three-room house: bedroom on top, living room in the middle, and kitchen on the ground.
When we were in the Munich house, sometimes [Adolf Hitler] would call the house line after one of their fights. They would talk and then Eva [Braun] would emerge from her room and behave normally.
Fit the parts together, one into the other, and build your figure like a carpenter builds a house. Everything must be constructed, composed of parts that make a whole.
A woman is more than the sum of her parts. So I had an opportunity to present some work at the White House. I chose not just to talk about the sky, the planet, love or heartache. I wanted to actually be there, to place a mark on that moment.
I was born on a plantation, and things weren't so good. We didn't have any money. I never thought of the word 'poor' 'til I got to be a man, but when you live in a house that you can always peek out of and see what kind of day it is, you're not doing so well. And your rest room is not inside the house.
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