A Quote by William Somervile

The bird That glads the night had cheer'd the listening groves with sweet complainings. — © William Somervile
The bird That glads the night had cheer'd the listening groves with sweet complainings.
Could you visit me in dreams? That would cheer me. Sweet to see friends in the night, however short the time.
Come, evening, once again, season of peace; Return, sweet evening, and continue long! Methinks I see thee in the streaky west, With matron step, slow moving, while the night Treads on thy sweeping train; one hand employ'd In letting fall the curtain of repose On bird and beast, the other charged for man With sweet oblivion of the cares of day.
And what does the rain say at night in a small town, what does the rain have to say? Who walks beneath dripping melancholy branches listening to the rain? Who is there in the rain’s million-needled blurring splash, listening to the grave music of the rain at night, September rain, September rain, so dark and soft? Who is there listening to steady level roaring rain all around, brooding and listening and waiting, in the rain-washed, rain-twinkled dark of night?
A long time ago, I had a bird that annoyed me, and the bird had to go. The bird's neck was snapped. I would also snap Conor McGregor's neck in a similar fashion.
Groves is a fool. Groves is a fake. I will never let him belittle me like he's done with Carl Froch.
When on a summer's morn I wake, And open my two eyes, Out to the clear, born-singing rills My bird-like spirit flies. To hear the Blackbird, Cuckoo, Thrush, Or any bird in song; And common leaves that hum all day Without a throat or tongue. And when Time strikes the hour for sleep, Back in my room alone, My heart has many a sweet bird's song - And one that's all my own.
Cheer the bull, or cheer the bear; cheer both, and you will be trampled and eaten.
When Spring is old, and dewy windsBlow from the south, with odors sweet,I see my love, in shadowy groves,Speed down dark aisles on shining feet.
Sweet, can I sing you the song of your kisses? How soft is this one, how subtle this is, How fluttering swift as a bird's kiss that is, As a bird that taps at a leafy lattice; How this one clings and how that uncloses From bud to flower in the way of roses.
In fact, I heard Bird first, and had got well into listening to him. You know, it's the kind of accidental thing that awareness of a player is: what's available, what somebody happens to play for you.
I've come close to matching the feeling of that night in 1944 in music, when I first heard Diz and Bird, but I've never got there. . . . I'm always looking for it, listening and feeling for it, though, trying to always feel it in and through the music I play everyday.
Sweet is the rose, but grows upon a brere; Sweet is the juniper, but sharp his bough; Sweet is the eglantine, but stiketh nere; Sweet is the firbloome, but its braunches rough; Sweet is the cypress, but its rynd is tough; Sweet is the nut, but bitter is his pill; Sweet is the broome-flowre, but yet sowre enough; And sweet is moly, but his root is ill.
Night. Heavenly delicious sweet night of the desert that calls all of us to love her. The night is our comfort with her coolness and darkness. On wings, on feet, on our bellies, out we all come to glory in the night.
I found a Bill Evans record in the bookcase and was listening to it while drying my hair when I realized that it was the record I had played in Naoko's room on the night of her birthday, the night she cried and I took her in my arms. That had happened only six months earlier, but it felt like something from a much remoter past. Maybe it felt that way because I had thought about it so often-too often, to the point where it had distorted my sense of time.
A poet is a nightingale, who sits in darkness and sings to cheer its own solitude with sweet sounds.
There's night and day, brother, both sweet things; sun, moon, and stars, brother, all sweet things; there's likewise a wind on the heath. Life is very sweet, brother; who would wish to die?
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