A Quote by William Stafford

A writer is someone who has found a process that will bring about new things. — © William Stafford
A writer is someone who has found a process that will bring about new things.
A writer is not so much someone who has something to say as he is someone who has found a process that will bring about new things he would not have thought of if he had not started to say them.
William Maxwell's my favorite North American writer, I think. And an Irish writer who used to write for 'The New Yorker' called Maeve Brennan, and Mary Lavin, another Irish writer. There were a lot of writers that I found in 'The New Yorker' in the Fifties who wrote about the same type of material I did - about emotions and places.
A handwritten letter carries a lot of risk. It's a one-sided conversation that reveals the truth of the writer. Furthermore, the writer is not there to see the reaction of the person he writes to, so there's a great unknown to the process that requires a leap of faith. The writer has to choose the right words to express his sentences, and then, once he has sealed the envelope, he has to place those thoughts in the hands of someone else, trusting that the feelings will be delivered, and that the recipient will understand the writer's intent. How childish to think that could be easy.
The happiness we seek cannot be found through grasping, trying to hold on to things. It cannot be found through getting serious and uptight about wanting things to go in the direction we think will bring happiness. We are always taking hold of the wrong end of the stick. The point is that the happiness we seek is already here and it will be found through relaxation and letting go rather than through struggle.
Some things I found out in the National Convention I wasn't too glad I did find out. But we will work hard, and it was important to actually really bring this out to the open, the things I will say some people knew about and some people didn't; this stuff that has been kept under the cover for so many years. Actually, the world and America is upset and the only way to bring about a change is to upset it more.
During the production of the Steamboy film, what I put my most effort in was the process of layouts, and I did my best to check every detail. Once this process is done precisely, we will get great backgrounds from our art team. This makes the team effort fun. I can't create a movie by myself. It is worthy only because many staff bring new ideas and techniques. I think the appeal of being the director is to encounter such new things, which I don't possess. It is absolutely wonderful to create something new based on teamwork. It is something that I couldn't appreciate in my cartoonist days.
If a writer of prose knows enough about what he is writing about he may omit things that he knows and the reader, if the writer is writing truly enough, will have a feeling of those things as strongly as though the writer had stated them. The dignity of movement of an iceberg is due to only one-eighth of it being above water. A writer who omits things because he does not know them only makes hollow places in his writing.
One of the things you get to do as a writer is that you get to learn new stuff all the time, and I hope that I'm a better writer when I'm 70 than I was when I was 30. That's one of the great things about a literary career.
I've always found music inspired me in the studio to try to do new things. If someone comes out with a new album, it's like, 'Gosh, they've been working hard - so should I.'
My job is to interpret. I'm an interpreter. I can add things and bring unique qualities to the role that the writer may not have thought of, but someone else created the fundamental idea.
We all hope that TV will bring something added to the book - not just an audience - it will bring an interpretation and skills that you may not have as a writer.
Any genuine teaching will result, if successful, in someone's knowing how to bring about a better condition of things than existed earlier.
I never learned to be a writer. I never took screenwriting courses. I never read anyone's scripts. As a writer, my only guiding principle has been to write about things that scare me, write about things that make me feel vulnerable, write about things that will expose my deepest fears, so that's how I write.
Let me give you a hint, young ones, what it is you will become as you grow. What things make you cry, what things bring you pain, what things hurt you now, what things threaten your peace; what things you fear, what things bring you rage. It will be the opposite of these that you will become if you chose to accept your weakness, embrace the Son and simply grow.
It is impossible to know what fate will bring. If you love to write or paint, you will keep on writing or painting, and things will either work out or not, and you just have to keep being in the process.
Ernest Hemingway has been the most important influence on me as a writer. But at a certain point as a writer, I realized that he was writing about good people doing good things. This did not match my experience of life and so I found my sentences stretching and becoming less plain.
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