A Quote by William T. Vollmann

[Ernest ]Hemingway always said, "Write about what you know." I think you can do that, and if you want to write about what you don't know, you can. It just takes a lot more work.
Someone wanted me to write a profile for ESPN about the commissioner of baseball, and I said, "He's just some suit! Some Republican. No!" I mean if you want me to write about baseball, boxing or football, I'll write about those things because I watch them, I think about them a lot and I like them. But I don't want to write about Barry Bonds.
I hadn't read or heard a lot about [Tom] Wolfe until I read this script, and in that way I think it was really clever to write a piece about him instead of Max Perkins,[Ernest] Hemingway, [John] Fitzgerald, or others that people have strong opinions of already.
I write about the power of trying, because I want to be okay with failing. I write about generosity because I battle selfishness. I write about joy because I know sorrow. I write about faith because I almost lost mine, and I know what it is to be broken and in need of redemption. I write about gratitude because I am thankful - for all of it.
To be honest, I’m more concerned with living my life than writing about my life. I feel like that’s really the main thing I know now that I didn’t know when I was younger — and that is that you have to have a life to write about one. If you’re more worried about having experiences so you can write about them, I think you’re kinda being ridiculous, and I think a lot of young people look at it like that.
Do you think that Hemingway knew he was a writer at twenty years old? No, he did not. Or Fitzgerald, or Wolfe. This is a difficult concept to grasp. Hemingway didn't know he was Ernest Hemingway when he was a young man. Faulkner didn't know he was William Faulkner. But they had to take the first step. They had to call themselves writers. That is the first revolutionary act a writer has to make. It takes courage. But it's necessary
I'm a fan of Ernest Hemingway work and specifically The Old Man and the Sea. I researched the relationship he had with the captain of his boat for 20 years, Gregorio Fuentes, and that inspired me to write a screenplay about it.
I don't actually talk about my books much, because I find if I talk about them I don't want to write them anymore. I write to find out what happens. You know how you read a book? That's what I'm doing except I'm just doing it a lot slower because it takes a lot longer to do.
Write what you know. Write what you want to know more about. Write what you're afraid to write about.
I tend not to meet the people I write about because I'm not really interested in the people I write about as people. I don't want to know about their family life. I don't want to know about their bad habits or their good deeds. I'm interested in their work.
I've always wanted my lyrics to say something meaningful and, you know, you always want to tell a message with your art. So yes, as I continue to write music, I will write about things that are real and things that I feel aren't written about a lot.
The best thing to do is to write about what you know, and if you write about what you know you can always pull those nice little tidbits that hook people, that shows that you know about this world and can bring people into a world that they may not know nothing about.
I usually don't write songs by people calling me and saying, 'Write a song about this.' Usually I'm just going with what I want to write, so you never know.
I don't write about anything I don't want to write about. I like to think I could write about anything pretty much that I chose to. I have been asked to write songs about specific things, and I've always been able to come up with the goods.
Ever hear the expression "write what you know?" My version says "write what you want to know." If you want to know about the history of Spain, write about the history of Spain - fiction or nonfiction. If your fascinated by the old west, maybe your character lives there.
Writing a novel is always complicated, it's not like you snap your fingers and go, 'Ah, I know what I'll write'. For me, a lot of the time, I have to write and as I write, I learn about the story.
I think that happens for a lot of people, they have this idea that there's only one type of way to write poetry and that you have to have this information. You have to know about meter, you have to know about form, you have to know about iambic pentameter, and all of that.
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