A Quote by William T. Vollmann
Once you've finished typing and moving text around and everything else, you have to leave it alone for a while. You do that to see if it stands up, to see if all the loose edges have been trimmed, if it makes sense, if it's consistent, what shape it really has. You can't tell that while you're working on it.
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I haven't been alone in years. It's that alone time when you really look yourself in the mirror and you see what you really want. It just gets a little convoluted in this industry. That said, I really want to act. But, now I think it's time for me to do something else for a while, so that I can feel that passion again.
We have to do what I would call anomalies: we have to look for strange things that show up once in a while. They don't show up all the time. We have to be scanning the horizon, and doing that, once in a while something will show up that makes a lot of sense, and then you act on it.
While in a vintage restaurant..."the past isn't quaint while you're in it. Only at a safe distance, later, when you see it as decor, not as the shape your life's been squeezed into.
When you're home or you're working, your mind just isn't allowed to just roll on like it does when you're watching the scenery go by. You're hurdling through space but you're not really moving. ...It's that dreaminess, that ability to just get dreamy while you're looking out the window and you see something...and it makes you think of something else, and all of a sudden the words are just flowing out of you.
The most fun about working with special effects is that you have to really rely on your imagination to build the scene. You can't actually see how what you're doing will fit in ultimately and you look silly while doing it but when you see the finished product it becomes something amazing!
Once I went professionally to an archaeological expedition-and I learnt something there. In the course of an excavation, when something comes up out of the ground, everything is cleared away very carefully all around it. You take away the loose earth, and you scrape here and there with a knife until finally your object is there, all alone, ready to be drawn and photographed with no extraneous matter confusing it. That is what I have been seeking to do-clear away the extraneous matter so that we can see the truth-the naked shining truth.
There's a sense of aliveness that comes from connection, shared experience. And you see it in every place. You see it when ball players jump up and down, gather at home plate, hugging, and it's not just because they're winning, it's that shared moment, that feeling of - we enter the world alone, we leave alone.
What you find with really good directors is that they kind of leave you alone. They've hired you because they know the kind of work you do and the sense of how you'd approach it. So usually, they'll just stand back and maybe give you a nudge once in a while in terms of something specific they might want in a particular scene.
I might be more satisfied seeing my friends really come up than myself. I'm really happy for my success, but I can't really see it, because I'm myself working. You can see it; everyone around me can see it.
As I walked down the street while talking on the phone, sophisticated New Yorkers gaped at the sight of someone actually moving around while making a phone call. Remember that in 1973, there weren't cordless telephones, let alone cellular phones.
My biggest disappointment is that once I'm finished working on the characters, I really do expect to see them in the flesh one day.
At the end of the day faith is a funny thing. It turns up when you don't really expect it. Its like one day you realize that the fairy tale may be slightly different than you dreamed. The castle, well, it may not be a castle. And its not so important happy ever after, just that its happy right now. See once in a while, once in a blue moon, people will surprise you , and once in a while people may even take your breath away.
I defy anyone now to tell me about patriotism and what America stands for, while we've elected a man who ran on everything that's anathema to what people say that America stands for.
As a young rookie NFL player, you go to the rookie symposium and the one thing they tell you is, "You guys know what the NFL stands for?" Everybody looks around like, "National Football League...?" The guy's like, "Nope - Not For Long." They tell you right there to get prepared for your second life. You take that in, and I've always been one to prepare early, to see ahead and anticipate and believe in great things happening, and they do. I'd already known that concept and appreciated that concept, but for me, I was always going to be here for a while. I just believed in that.
While President Barack Obama has, in one sense, tipped his hand by saying that he wants judges with "empathy" for certain groups, he has in a more fundamental sense concealed the real goal - getting judges who will ratify an ever-expanding scope of the power of the federal government and an ever-declining restraint by the Constitution of the United States. This is consistent with everything else that Obama has done in office and is consistent with his decades-long track record of alliances with people who reject the fundamentals of American society.
I never ever see a film of mine after I release it to the public. I see it when I shoot it in my dailies and while I'm editing it, re-editing it and reshooting it and all that. By the time it's finished I never want to see it again.
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