A Quote by William T. Wiley
We're all kind of basically involved in the same thing, putting up a blank of some kind and filling it in.
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Whenever some kind of mass shooting or any other kind of violent activity takes place, we kind of hold our breath until we are sure that no Muslim was involved, because we know that these incidents will be treated differently if a Muslim is involved versus if somebody of another background is involved.
Venues are all the same, all feel the same, these generic blank spaces. I like artists like Lightning Bolt-bands that go in and kind of change things every time, play on the floor, set up in the middle of the room. They go in and they reinvent the space every time, which I feel is like the kind of thing that should just be happening.
My mother negotiated a plea deal, and my father went to trial. I think one thing we notice in their case that kind of stands out is how, in some ways, arbitrary the outcomes in the criminal justice system can be. And they did basically the same thing, identical thing.
Yes, the fear of its blankness. At the same time, I kind of loved it. Mallarmé was trying to make the page a blank page. But if you're going to make the page a blank page, it's not just the absence of something, it has to become something else. It has to be material, it has to be this thing. I wanted to turn a page into a thing.
To build a character like Henry Warnimont required a few weeks and months of work. It turned out he was basically a very kind and generous man, which he covered up with his surface gruffness and surface bluster. And the kind of hopeless quality, that 'everything goes wrong' kind of thing.
I love to direct! I get really jazzed by directing, but directing is not the same kind of personal expression, the same kind of personal intimate expression that writing is. Because when you're directing, you're basically managing, basically getting out of people doing their job, except when you see them going astray.
What it is now is basically, I'll sit on my computer; I basically kind of play the computer as an instrument, I guess you could say. I guess I play the Mac. And how it works is, say - I have a program called 'Ableton Live.' And, you know, you'll open it up, and it's just blank. There's nothing there. And then you start.
I actually wrote the song first as "well, it's 9 o'clock on a Saturday." That bit. Then I said, You know what? It needs some kind of an introduction to kind of set the mood and set the flavor. So I just played this kind of cocktail lounge thing, the hustle and bustle of waitresses going by - that kind of thing.
I'm putting out music that I love, and they're basically just stories of my life and how I try and teach myself to think about things. They're kind of like notes to self, basically.
I think there's an assumption when you have a parent in the business that you're given some kind of a cheat sheet at an early age. Some kind of upper hand or some kind of advanced understanding of how the whole thing functions - maybe how to operate within it. I never felt I received that cheat sheet and grew up pretty removed from the business.
Every military scenario that the Russians basically engage in their annual exercises, either on their western or eastern flank, always involved some kind of local revolt pulling in outside forces.
I’ve never intended to make religious records or records that preach some kind of point of view... If you’re involved with imagination and the creative process, it’s not such a difficult thing to believe in a god. But I’m not involved in any religions.
Across the board you can run up against 10 athletes where we're the same physically. They've done the same kind of training; they are in the same kind of shape. But the one that wins is the person who really believes they can win.
Will Arnett and I were never in the same room, but once I saw early animation we started writing music for that and then he just kind of did his little rap over top, some of it was free form and some of it I made up, we all just kind of contributed to it.
When I was a chain smoker, I used to wake up and the first thing I'd do was reach for a cigarette, basically. And now I do the same thing for a smartphone, basically.
My vision of punk rock was these dudes who were spitting on the audience and moshing. That's why I kind of left that scene. Then I see all these people around my same age or between 17 and 25 that were making music themselves in their own town. They weren't just singing, but creating. I see them putting out this music where there are tons of women involved in the scene and involved in the bands.
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