A Quote by William Trevor
By the end, you should be inside your character, actually operating from within somebody else, and knowing him pretty well, as that person knows himself or herself. You're sort of a predator, an invader of people.
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[T]he more radical the person is, the more fully he or she enters into reality so that, knowing it better, he or she can transform it. This individual is not afraid to confront, to listen, to see the world unveiled. This person is not afraid to meet the people or to enter into a dialogue with them. This person does not consider himself or herself the proprietor of history or of all people, or the liberator of the oppressed; but he or she does commit himself or herself, within history, to fight at their side.
Man knows himself only insofar as he knows the world, becoming aware of it if only within himself, and of himself self only within it. Each new subject, well observed, opens up within us a new organ of thought.
If I had the opportunity, I would make the proposal that no man should be killed except by somebody who knows him well enough for the act to have impact. No death should be like nose blowing. Death is important enough that it should affect the person who causes it.
Everything is reduced to what's physical in the end, because it's the filth inside people's minds that creates all the evil. What is a body, anyway? I suppose you've got to abuse your body to understand it. If you're not prepared to humiliate yourself in order to give somebody else a moment's pleasure, I don't believe that you've actually lived.
I think you should identify with your character, but plenty of people like themselves and hate themselves. You just have to find out what's truthful for the person you're playing. When people talk about that, I think what they're saying is that as an actor, as Peter, you don't want to make a judgment that comes from your worldview about the character. Your judgments should be coming from the place of the character, and within that space, sure, you could love or hate yourself or whatever you think is most appropriate.
The painter should paint not only what he has in front of him, but also what he sees inside himself. If he sees nothing within, then he should stop painting what is in front of him.
History is for human self-knowledge. Knowing yourself means knowing, first, what it is to be a person; secondly, knowing what it is to be the kind of person you are; and thirdly, knowing what it is to be the person you are and nobody else is. Knowing yourself means knowing what you can do; and since nobody knows what they can do until they try, the only clue to what man can do is what man has done. The value of history, then, is that it teaches us what man has done and thus what man is.
Jeff Sessions gets the job, right after he gets the job, he recuses himself. Was that a mistake? Well, Sessions should have never recused himself. And if he was going to recuse himself, he should have told me before he took the job, and I would have picked somebody else.
A beautiful person is a person who is capable of being the best version of himself/herself, inside and out as often as possible.
When you get the opportunity to give away somebody else's money to make somebody else's life a little better. That's pretty cool, actually.
You should have the opportunity to be more than one person with different people because you have that within you. It's not like you're faking it. If everyone knows you so well and can always get a hold of you, then you're stuck to this thing that people think you are. You should have the opportunity to reinvent yourself. Because you do. Naturally.
It should begin with friendship, I think. Suddenly I cannot look at him. It should begin with friendship and truly knowing who a person is, knowing his flaws and hopes and strengths and fears, knowing all of it. And admiring and caring for- loving the person because of all of those things... I know that now.
What is love? Love is when one person knows all of your secrets, deepest, darkest, most dreadful secrets of which no one else in the world knows. And yet in the end, that one person does not think any less of you.
I think the purpose of a piece of music is significant when it actually lives in somebody else. A composer puts down a code, and a performer can activate the code in somebody else. Once it lives in somebody else, it can live in others as well.
This is what I would say to my pupil: 'You have become only your fame and left behind most of who you were. How are you going to deal with that? Will you lose that person forever? Have you become someone else without really knowing it? Do you always have to stay in character for people to like you? Do you know that you are in character?'.
There are things that a woman sings, and only a woman knows the full meaning. You may sing for men as well as for women, but only a woman knows your full meaning. I am not a feminista. I only think a woman should be true to who she believes herself to be. Or who she wants herself to be. Or who she imagines herself to be. I don't know what I mean, or whether I'm true myself to any of that. I don't think there are many of us who are true to our possibilities.
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