A Quote by William Webb

I like walking into the studio everyday and having completely custom, diverse artwork to do. And my clients keep the interesting ideas flowing in. — © William Webb
I like walking into the studio everyday and having completely custom, diverse artwork to do. And my clients keep the interesting ideas flowing in.
As with anything, you need to keep your creative juices flowing and keep the character interesting.
Divorce lawyers stoke anger and fear in their clients, knowing that as long as the conflicts remain unresolved the revenue stream will keep flowing.
I hate studios. A studio is a black hole. I never use a studio to work. It's very artificial to go to a studio to get new ideas. You have to get new ideas from life, not from the studio. Then you go to the studio to realize the idea.
We see our clients saying we want a diverse team and also to attract people particularly the millennials they really care about working in a diverse workplace.
The best innovation comes from inclusive work environments that foster diverse ideas, nurture people with diverse talent and backgrounds, and create strong relationships with diverse communities.
Only ideas keep ideas flowing. When we close our minds to what is new, simply because we decide not to bother with it, we close our minds to our responsibility to ourselves - and to others - to keep on growing.
I'm trying to get music ideas that come and keep them alive. It's like carrying water in your hands. I want to keep it all, and sometimes by the time you get to the studio you have nothing.
Generating diverse ideas requires being clear about the kind of input needed and creating multiple ways for diverse team members to share their ideas (e.g. use more than just a brainstorming session).
You need to keep your creative juices flowing and keep [your] character interesting.
Whenever I work on an album and the time comes to do all the artwork, the only thing I think of is the LP artwork. When we worked on the 'Electric Trim' artwork, we spent weeks and weeks making the LP artwork great, and then the CD artwork came together in a day or two. The LP is what's important to me.
If I'm not at my desk by 4 AM, I feel like I'm missing my most productive hours. In addition to starting early, I keep an antique hour glass on my desk and every hour break briefly to do pushups, sit-ups, and some quick stretches. I find this helps keep the blood (and ideas) flowing.
Having colleagues nearby, whether at the beach or in a crypt, means the ideas are always flowing
Cat-Ideas and Mouse-Ideas. We can never get rid of mouse-ideas completely, they keep turning up again and again, and nibble, nibble-no matter how often we drive them off. The best way to keep them down is to have a few good strong cat-ideas which will embrace them and ensure their not reappearing till they do so in another shape.
I like the idea of having a calm, quiet room to work on my [art] while knowing that outside there's noise and a lot happening. It's reassuring to know the 'everyday' continues even though inside the studio you feel so disconnected from it.
I try to just put a blank stage in front of them, and say, "This is your space; you tell me where you're coming from and where you're going." At a certain point, it was interesting as the project started to become what it is now, The Source, which has a physical installation and also an online presence. As we started building the installation, I started thinking, "It's really strange that we're building this installation, this piece of architecture you can go into." It's almost strange because I suppose it's an artwork, but it's an artwork that's really constructed out of ideas.
I can be completely indulgent and spend as many hours and days or weeks as I like on one thing. Writing music and sitting in my studio, just pottering with ideas, it's a lot more personal and creative for me, I don't feel restricted.
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