A Quote by William Wegman

Start with a premise and then somehow invert it. — © William Wegman
Start with a premise and then somehow invert it.
No, you don't have to start your play with a premise. You can start with a character or an incident, or even a simple thought. This thought or incident grows, and the story slowly unfolds itself. You have time to find your premise in the mass of your material later. The important thing is to find it.
Invert, always invert.
There can be only two questions that are asked with regard to human relationships: Where am I going? Who is going with me? Do not invert the order of the questions. Do not - under any circumstances - invert the order of the questions. Is that clear?
Everything has a purpose or premise. Every second of our life has its own premise, whether or not we are conscious of it at the time. That premise may be as simple as breathing or as complex as a vital emotional decision, but it is always there.
My general premise is not about selling clothes. If that's your end goal, then all of a sudden everything looks the same, you know - you start designing by numbers.
I think if anything, the fact that it's popular right now makes me go: "Well, I guess I'm going to start doing something else then in the next few years." I dunno, it almost feels hackneyed at this point. To start a premise by saying, "I did this awkward thing." But then again, awkwardness and feeling alienated are always going to be a part of comedy. Alienation, I suppose, can't be hackneyed because it will always exist.
Typically, when you're with your friends, premises are coming up left and right. But when you're on stage, you must create the premise. So you have to create the premise, paint the picture and then deliver the punch line.
I tend to start with a fantastical premise, and then I place it in the world we know. Or, really, it places itself. Honestly, I feel that I have very little control of the magical aspect, as that's just what comes out for me.
I start off with the obvious, that it makes no sense either to believe or to disbelieve in God until a substantial and intelligent definition or concept should be offered. Belief or disbelief is a secondary consideration, contingent on the intelligibility and cogency of the premise; the primal unintelligence or irrationality of moderns is revealed by their eagerness to leap to a conclusion without ever being curious what the hell the original premise was.
Huging my pillow to my chest, I told myself, At least soon you won't have so much time to miss him. Soon school will start again, and then you'll be busier. Wait. Am I reduced to HOPING for school to start? Somehow, I have discovered a whole new level of pathetic.
There are philosophical issues involved in that about choosing the right discount rate, the value, the future, and things like that which drive it. But its start with the premise that global warming is real and if you're a denier of that fact, then you're not going to find climate change mitigation policies to have particular appeal.
You have to start with the basic premise that you need to know what your competition is doing.
Even the most complicated stories start with a very simple premise.
If you start with the premise that whatever you want to be is going to happen, it changes the way you think about it.
When the idea of 'We' came in, it started as a 'WeBlank: WeWork, WeLive, WeSleep, WeEat.' That was the premise at the very start.
Give not thyself up, then, to fire, lest it invert thee, deaden thee, as for the time it did me. There is a wisdom that is woe; but there is a woe that is madness.
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