A Quote by William Wetmore Story

The Poet in his ArtMust intimate the whole, and say the smallest part. — © William Wetmore Story
The Poet in his ArtMust intimate the whole, and say the smallest part.
All I do and say and think 'as a poet' is much truer and more intimate than anything I say face to face.
the smallest part is worthy of the whole.
A true poet is more than just a man who can write a poem with a pen. A true poet writes poetry with his very life. A true poet doesn't use poetic devices to con the heart of a woman but uses the beauty of all that is poetic to serve, cherish, and express love to the heart of a woman. Just as a true warrior is not a conqueror of femininity but a protector of femininity, a true poet is not just a wooer of a woman's heart but one who knows how to nurture and plant love in a woman's heart. Simply put, a true poet is a man who knows how to be intimate with a lover - first and foremost with Christ.
A poet needs to keep his wilderness alive inside him. To remain a poet after forty requires an awareness of your darkest Africa, that part of yourself that will never be tamed.
...he who has seen the intimate beauty of nature cannot tear himself away from it again. He must become either a poet or a naturalist and, if his eyes are keen and his powers of observation sharp enough, he may well become both.
The good poet welds his theft into a whole of feeling which is unique, utterly different from that from which it was torn; the bad poet throws it into something which has no cohesion.
But Shakespeare one gets acquainted with without knowing how. It is a part of an Englishman's constitution. His thoughts and beauties are so spread abroad that one touches them everywhere; one is intimate with him by instinct. No man of any brain can open at a good part of one of his plays without falling into the flow of his meaning immediately.
One of the surest tests of the superiority or inferiority of a poet is the way in which a poet borrows. Immature poets imitate mature poets steal bad poets deface what they take and good poets make it into something better or at least something different. The good poet welds his theft into a whole of feeling which is unique utterly different than that from which it is torn the bad poet throws it into something which has no cohesion. A good poet will usually borrow from authors remote in time or alien in language or diverse in interest.
One of the appeals of William Carlos Williams to me is that he was many different kinds of poet. He tried out many different forms in his own way of, more or less, formlessness. He was also a poet who could be - he was a love poet, he was a poet of the natural order and he was also a political poet.
We are told that the first part of the process is to select the very smallest seeds from the smallest plants, which is not at all unlikely, but I cannot speak to the fact from my own observation.
The Saviors atonement in the garden and on the cross is intimate as well as infinite. Infinite in that it spans the eternities. Intimate in that the Savior felt each persons pains, sufferings, and sicknesses. Consequently, he knows how to carry our sorrows and relieve our burdens that we might be healed from within, made whole persons, and receive everlasting joy in his kingdom. May our faith in the Father and the Son help each of us to become whole.
I'm a political poet - let us say a 'human' poet, a poet that's concerned with the plight of people who suffer. If words can be of assistance, then that's what I'm going to use.
It's a big thing to call yourself a poet. All I can say is that I have always written poems. I don't think I'm interested in any discussion about whether I'm a good poet, a bad poet or a great poet. But I am sure, I want to write great poems. I think every poet should want that.
The whole world is a theatre for the display of the divine goodness, wisdom, justice, and power, but the Church is the orchestra, as it were—the most conspicuous part of it; and the nearer the approaches are that God makes to us, the more intimate and condescending the communication of his benefits, the more attentively are we called to consider them.
If the poet wants to be a poet, the poet must force the poet to revise. If the poet doesn't wish to revise, let the poet abandon poetry and take up stamp-collecting or real estate.
'Beale Street' is such an intimate story that I think it requires intimate connections between the artists that are a part of it.
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