A Quote by William Wordsworth

Poetry is the outcome of emotions recollected in tranquility. — © William Wordsworth
Poetry is the outcome of emotions recollected in tranquility.
Poetry is the spontaneous overflow of powerful feelings: it takes its origin from emotion recollected in tranquility.
Fishing books , lit by emotion recollected in tranquility, are like poetry. .. . We do not think of them as books but as men. They are our companions and not only riverside. Summer and winter they are with us and what a pleasant company they are.
Now painting is different. It's something recollected in tranquility.
Poetry is emotion recollected in tranquillity.
An adventure is never an adventure when it happens. An adventure is simply physical and emotional discomfort recollected in tranquility.
A lot of poems seem, in some sense, to pull the outside world into the interior. They aren't perhaps emotion recollected in tranquillity but perception recollected in interiority.
The lines of poetry, the period of prose, and even the texts of Scripture most frequently recollected and quoted, are those which are felt to be preeminently musical.
A writer works from the material she has, but it comes from the unconscious. Everything is stored up and one never knows what comes up to the surface at a given moment. A period of gestation is certainly needed, what Wordsworth called ‘emotion recollected in tranquility.’ You cannot write about an experience when you are living it, suffering it. You are too busy surviving to look at it objectively. At least I can’t.
The business of the poet is not to find new emotions, but to use the ordinary ones and, in working them up into poetry, to express feelings which are not in actual emotions at all.
A novel is a work of poetry. In order to write it, one must have tranquility of spirit and of impression.
The emotions - love, mirth, the heroic, wonder, tranquility, fear, anger, sorrow, disgust - are in the audience.
I distrust summaries, any kind of gliding through time, any too great a claim that one is in control of what one recounts; I think someone who claims to understand but is obviously calk, someone who claims to write with emotion recollected in tranquility, is a fool and a liar. To understand is to tremble. To recollect is to re-enter and be riven. ... I admire the authority of being on one's knees in front of the event.
Poetry is ordinary language raised to the Nth power. Poetry is boned with ideas, nerved and blooded with emotions, all held together by the delicate, tough skin of words.
A great emotion is too selfish ; it takes into itself all the blood of the spirit, and the congestion leaves the hands too cold to write. Three sorts of emotion produce great poetry - strong but quick emotions, seized upon for art as soon as they have passed, but not before they have passed ; strong and deep emotions in their remembrance along time after ; and false emotions, that is to say, emotions felt in the intellect. Not insincerity, but a translated sincerity, is the basis of all art.
Poetry was syllable and rhythm. Poetry was the measurement of breath. Poetry was time make audible. Poetry evoked the present moment; poetry was the antidote to history. Poetry was language free from habit.
On moral grounds, I think that if you believe a certain outcome is a very possible outcome, you have an obligation to tell people that. With global warming, the probability of a bad outcome if we stay on our current emission trends is incredibly high. If you know a bad outcome is likely to happen, what right do you have not to communicate that? You go into a doctor's office, what are they going to do - not tell you the diagnosis?
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