A Quote by William Zinsser

Nobody becomes Tom Wolfe overnight, not even Tom Wolfe. — © William Zinsser
Nobody becomes Tom Wolfe overnight, not even Tom Wolfe.
One of the great pleasures of reading Tom Wolfe - of still reading Tom Wolfe - is the sense of awe he consistently inspires.
I cling to the basic set of tenets laid out in Tom Wolfe's 'New Journalism' - to get out there like the great French novelists of the 19th century and study life. I am a Tom Wolfe fan of the first order.
I think it may have been Tom Wolfe (if it wasn't, my apologies, Tom, and my apologies to whoever it was) who said in print once, 'David Carradine lives the life that Hunter Thompson only writes about.'
I was with Tom Wolfe at the launch of Apollo 17, which led him to 'The Right Stuff.'
Class has always been Tom Wolfe's subject, and I suspect the reason for much of the disfavor in which he is held.
Gene Wolfe is the greatest writer in the English language alive today. Let me repeat that: Gene Wolfe is the greatest writer in the English language alive today! I mean it. Shakespeare was a better stylist, Melville was more important to American letters, and Charles Dickens had a defter hand at creating characters. But among living writers, there is nobody who can even approach Gene Wolfe for brilliance of prose, clarity of thought, and depth in meaning
I always lamented that I wasn't a writer during the late '60s and the early '70s, with the New Journalism and Tom Wolfe and Hunter Thompson and all those people.
A wolfe will never make war against another wolfe.
Writers vary tremendously. Was it Tom Wolfe who stood up or was it [Ernest] Hemingway who had to stand up? I don't know.
You don't need Tom Wolfe to tell you that the Buckhead section of Atlanta is the jewel of the city, an area of gracious homes, elegant hotels and shopping centers, as well as some of the best restaurants.
I like Tom Wolfe's description of the country: There's America. The coasts are like the parentheses. In between is the country.
Jazz, to me, is one of the inherent expressions of Negro life in America: the eternal tom-tom beating in the Negro soul - the tom-tom of revolt against weariness in a white world, a world of subway trains, and work, work, work; the tom-tom of joy and laughter, and pain swallowed in a smile.
Thinking of Poe, thinking of Mark Twain and Vachel Lindsay, thinking of Jack London and Tom Wolfe, one begins to feel there is almost no way of becoming a creative writer in America without being a loser.
When you translate the American writers who are best with dialogue into German - someone like Elmore Leonard, or Tom Wolfe, who's also quite good with dialogue. It's very hard to translate them well.
Unlike F. Scott Fitzgerald and Tom Wolfe, I don't like proper dress while working. I like writing in pajama-like clothing, which eases and relaxes me and allows me to connect with the decidedly improper.
Usually the German translators do something terrible, especially with Tom Wolfe, which is that they make it local. So if the characters are from Harlem, the translators put all this Berlin slang into their mouths, and that's just terrible. You cringe when you read that. But there really is no good solution to the problem, except learning English.
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