A Quote by William Zinsser

Rewriting is the essence of writing well - where the game is won or lost. — © William Zinsser
Rewriting is the essence of writing well - where the game is won or lost.
Rewriting is the essence of writing well: it's where the game is won or lost. The idea is hard to accept. We all have emotional equity in our first draft; we can't believe that it wasn't born perfect. But the odds are close to 100 percent that it wasn't.
Nobody told all the new e-mail writers that the essence of writing is rewriting. Just because they are writing with ease and enjoyment doesn't mean they are writing well.
I studied philosophy, religious studies, and English. My training was writing four full-length novels and hiring an editor to tear them apart. I had enough money to do that, and then rewriting and rewriting and rewriting.
Good writing is writing and rewriting and rewriting and rewriting. Sometimes, it happens to work right away, and that's amazing. But most of the time, it happens to work, and then you rewrite and rewrite and rewrite, and maybe it even comes back to the thing it was in the first place, but then you know for sure that it is good, and it's what you wanted to do.
Writing is rewriting; rewriting is writing - from the first crossed-out word in the first sentence to the last word inserted above a caret, that most helpful handwritten stroke.
Dreaming and hoping won't produce a piece of work; only writing, rewriting and rewriting (if necessary)- a devoted translation of thoughts and dreams into words on paper will result in a story.
My books are based on the "what if" principle. "What if you became invisible?" or "What if you did change into your mother for one day?" I then take it from there. Each book takes several months in the long process of writing, rewriting, writing, rewriting, and each has its own set of problems. The one thing I dislike about the writing process is the sometimes-loneliness of it all. Readers only get to see the glamour part of a bound book, not some of the agonizing moments one has while constructing it.
I get ill when I'm writing because I'm so focused on it, and it can take a year or two. Often, I knock out the first draft very quickly. I can do it in five to six weeks. Then, it takes a year of rewriting it and rewriting it.
Rewriting is when writing really gets to be fun. . . . In baseball you only get three swings and you're out. In rewriting, you get almost as many swings as you want and you know, sooner or later, you'll hit the ball.
My writing is a process of rewriting, of going back and changing and filling in. in the rewriting process you discover what's going on, and you go back and bring it up to that point.
Rewriting the negative beliefs you have learned is the essence of becoming the director of your life.
I work very hard on the writing, writing and rewriting and trying to weed out the lumber.
As you continue writing and rewriting, you begin to see possibilities you hadn't seen before. Writing a poem is always a process of discovery.
I think I became a better writer after I started writing for the New Yorker. Well, I know I did. And part of it was having my New Yorker editor and part of it is that was when I started really going on tour and reading things in front of an audience 30 times and then going back in the room and rewriting it and reading it and rewriting it. So you really get the rhythm of the sentences down and you really get the flow down and you get rid of stuff that's not important.
So much of the effort that goes into writing prose for me is about making sentences that capture the music that I'm hearing in my head. It takes a lot of work, writing, writing, and rewriting to get the music exactly the way you want it to be.
My records have a lot of collaborators on them, and when you're writing a book, it's a very insular process that's very confusing and dark. It's a lot of writing and rewriting in a way that I don't do so much when I'm writing songs.
This site uses cookies to ensure you get the best experience. More info...
Got it!