A Quote by William Zinsser

No one has something original or important to say will willing we run the risk of being misunderstood; people who write obscurely are either unskilled in writing or up to mischief
People who write obscurely are either unskilled in writing or up to mischief.
I certainly want people to like my writing, but I know that if I write with the intention of trying to please people, the writing will not be good because it will not be authentic. So, ironically, I have to be willing to write something strange or unlovable in order to write anything truly good.
We call people who work with mud and earth, and sand and stone, unskilled labor in India. I cannot in this lifetime wield the implements that they use either to dig the earth or to shovel the earth. I can't carry the loads. That's extremely specialized. But they are called unskilled, and I am called skilled because I can write with the pen. I cannot accept this. I find it extremely non-egalitarian to say they are unskilled and I am skilled. It's only a way of looking at it. Knowledge is also like that.
People who want to write either do it or they don't. At last I began to say that my most important talent - or habit - was persistence. Without it, I would have given up writing long before I finished my first novel. It's amazing what we can do if we simply refuse to give up.
The poet wants to ‘say’ something. Why, then, doesn’t he say it directly and fortrightly? Why is he willing to say it only through his metaphors? Through his metaphors, he risks saying it partially and obscurely, and risks saying nothing at all. But the risk must be taken, for direct statement leads to abstraction and threatens to take us out of poetry altogether.
I think risk is important. I don't care if it's a great financial risk or a physical risk. You only get out of something what you put into it and the fact that you are willing to risk something means that you are going to get a lot more out of it.
Thoughts are created in the act of writing. [It is a myth that] you must have something to say in order to write. Reality: You often need to write in order to have anything to say. Thought comes with writing, and writing may never come if it is postponed until we are satisfied that we have something to say...The assertion of write first, see what you had to say later applies to all manifestations of written language, to letters...as well as to diaries and journals
I'm willing to be misunderstood. I've never had a problem being misunderstood by a portion of people on any particular issue if it makes for that much more of a special experience for those who understand.
Don't commit to being a columnist unless you're willing to do it right. Report your behind off, so you have something original and useful to say. Say it in a way that will interest someone other than you, your family and your sources.
Write the kind of story you would like to read. People will give you all sorts of advice about writing, but if you are not writing something you like, no one else will like it either.
When you're teaching creative nonfiction, it helps to have written about your life in a very open way, because you can say, 'Look, how much are you willing to risk emotionally to write? How careful can you be with the other people you're writing about?
When you're teaching creative nonfiction, it helps to have written about your life in a very open way, because you can say, 'Look, how much are you willing to risk emotionally to write? How careful can you be with the other people you're writing about?'
You have to fight against all the things that will keep you out of writing, because life doesn't go with writing. You will always have something more important to do: you will have to take your children to school, you will have to cook something, you have to meet friends. But you have to fight if you want to write.
I want to reach people and express myself. You have to put up with the risk of being misunderstood if you are going to try to communicate. You have to put up with people projecting their own ideas, attitudes, misunderstanding you. But it’s worth being a public fool if that’s all you can be in order to communicate yourself.
The real truth - like anything, you have an idea about something you might write and it changes. People reflect on it or you get other ideas and maybe your original idea is radically different than how it ends up being. It's not a theorem. You don't sit down and prove something. You start with an initial idea and it grows and grows. The math of the narrative changes. In some ways your original document and what the film ends up being are quite different.
One mistake with beginners in writing is, that they think it important to spin out something long. It is a great deal better not to write more than a page or two, unless you have something to say, and can write it correctly.
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