A Quote by William Zinsser

The writer who cares about usage must always know the quick from the dead. — © William Zinsser
The writer who cares about usage must always know the quick from the dead.
If you are the writer/director especially, no one cares more about the project than you do. You know it in and out. You created it. So always listen to input but don't be afraid to veto and fight decisions that you know instinctively are wrong.
Everyone have power of brain but people don't know correctly time of usage. winner just know when, where & how to usage it.
When I'm dead are they going to remember me ? I don't really think about it, it's up to them. When I'm dead, who cares ? I don't.
I always tell writers that it's good to have an area of expertise. It's a really practical answer, I know, but know about science or about sports or about medicine, so you can work as a science writer or a sports writer. Don't just know about yourself.
When he is late for dinner and I know he must be either having an affair or lying dead in the street, I always hope he's dead.
Anyone who cares about the Earth - really cares - must stop eating animals.
You can't be both a writer and a politician, at least not a good writer. A writer must always tell the truth as he sees it. And the politician must never give the game away.
I say "on principle" [regarding 'lesbian writer'] because whenever you get one of your minority labels applied, like "Irish Writer," "Canadian Writer," "Woman Writer," "Lesbian Writer" - any of those categories - you always slightly wince because you're afraid that people will think that means you're only going to write about Canada or Ireland, you know.
It's interesting when you're doing signing sessions with other writers and you look at the queues at each table and you can see definite human types gathering there.... My queue is always full of, you know, wild-eyed sleazebags and people who stare at me very intensely, as if I have some particular message for them. As if I must know that they've been reading me, that this dyad or symbiosis of reader and writer has been so intense that I must somehow know about it.
I don't for one second think about the possibility of censorship when I am writing a new book. I know I am a person who cares about kids and who cares about truth and I am guided by my own instincts, and trust them.
Here's the bottom line: I can't play someone if I can't figure out what he cares about. Everybody cares about something, even a rough character. It defines where we step in life. As soon as you find out what somebody cares about, then it all gets real.
So this guy, Jeff Johnson, who is an accountant who cares nothing at all about a free press and cares nothing about journalism, he's a right winger who supported the war, you know, who two years ago told people he couldn't stand a word that I wrote.
I like to find characters. Here's the bottom line: I can't play someone if I can't figure out what he cares about. Everybody cares about something, even a rough character. It defines where we step in life. As soon as you find out what somebody cares about, then it all gets real.
It isn't such a bad thing to always know that someone on the other side of the world cares about you.
Perhaps the critics are right: this generation may not produce literature equal to that of any past generation-who cares? The writer will be dead before anyone can judge him-but he must go on writing, reflecting disorder, defeat, despair, should that be all he sees at the moment, but ever searching for the elusive love, joy, and hope-qualities which, as in the act of life itself, are best when they have to be struggled for, and are not commonly come by with much ease, either by a critic's formula or by a critic's yearning.
Of course, there will always be, you know, conservative classical people who will judge you, but you know, who cares about them?
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