A Quote by William Zinsser

Writers who think THEY are being criticized when only that writing is being criticized are beyond a teacher's reach. Writing can only be learned when a writer coldly separates himself from what he has written and looks at it with the objectivity of a plumber examining a newly piped bathroom to see if he got all the joints tight.
It is not intuitive ease I am after, but rather a point of view which is sufficiently definite to clear up some difficulties, and to be criticized in rational terms. (Bohr's complementarity cannot be so criticized, I fear; it can only be accepted or denounced - perhaps as being ad hoc, or as being irrational, or as being hopelessly vague.)
I believe the only way a writer can keep himself up to the mark is by examining each story quite coldly before he starts writing it and asking himself if it is all right as a story. I mean, once you go saying to yourself, 'This is a pretty weak plot as it stands, but I'm such a hell of a writer that my magic touch will make it okay,' you're sunk. If they aren't in interesting situations, characters can't be major characters, not even if you have the rest of the troop talk their heads off about them.
I think a lot of writing, or a lot of young writers, especially, hold themselves back unnecessarily because they're so upset about the idea that they might be sentimental or so concerned about being criticized that way or even being that way that they just shy away from any strong expression or emotion.
I think that very often younger writers don't appreciate how much hard work is involved in writing. The part of writing that's magic is the thinnest rind on the world of creation. Most of a writer's life is just work. It happens to be a kind of work that the writer finds fulfilling in the same way that a watchmaker can happily spend countless hours fiddling over the tiny cogs and bits of wire. ... I think the people who end up being writers are people who don't get bored doing that kind of tight focus in small areas.
I don't mind being criticized. I enjoy being criticized personally, not by rumor.
I've always written. When I was in school, the only teacher who ever liked me was my creative writing teacher. I used to enter poetry competitions, and I don't think I ever lost one. So I had the idea for a while of being some kind of poet.
The porridge is either two hot or too cold. At any given moment in this city the police are being criticized for being heavy handed and intervening too quickly, or they're being criticized for being standoffish and not intervening quickly enough.
The myth stems from the belief that writing is some mystical process. That it's magical. That it abides by its own set of rules different from all other forms of work, art, or play.But that's bullshit. Plumbers don't get plumber's block. Teachers don't get teacher's block. Soccer players don't get soccer block. What makes writing different? Nothing. The only difference is that writers feel they have a free pass to give up when writing is hard.
If a writer of prose knows enough about what he is writing about he may omit things that he knows and the reader, if the writer is writing truly enough, will have a feeling of those things as strongly as though the writer had stated them. The dignity of movement of an iceberg is due to only one-eighth of it being above water. A writer who omits things because he does not know them only makes hollow places in his writing.
Michael Jordan was criticized. Barry Bonds was criticized. Some of the greats in every profession have been criticized. Not everything is peaches and cream.
To see your country being destroyed from afar - it's very hard to only watch and do nothing. My writing is the only way to address my feelings about this disaster and to at least try to find a solution as a writer. I know I have limits. But I have to do my best as a writer.
The people of Hong Kong are criticized for only being interested in business, but it's the only thing they've been allowed to do.
I had already learned from more than a decade of political life that I was going to be criticized no matter what I did, so I might as well be criticized for something I wanted to do.
When I was writing my first novel, 'Elizabeth is Missing,' I was writing the only novel I had ever written and writing about the only protagonist I'd ever written about. Because of this, I didn't think of her as a construct. Maud was real.
I don't think you could teach someone to be a genius, but you can certainly teach them to not make rookie mistakes and to look at writing the way a writer looks at writing, and not just the way a reader looks at writing. There are a lot of techniques and skills that can be taught that will be helpful to anybody, no matter how gifted they are, and I think writing programs can be very good for people.
First lady has been a thankless position. Eleanor Roosevelt was brilliant and had strong views. She was criticized for her politics and for her appearance. Mrs. Roosevelt was attacked for being too involved in politics. Bess Truman was criticized for being uninvolved in politics.
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