A Quote by Willie Aames

When you're in that scene, you really wonder if this is all you're ever going to be. You know how vile and filthy you are inside. — © Willie Aames
When you're in that scene, you really wonder if this is all you're ever going to be. You know how vile and filthy you are inside.
When youre in that scene, you really wonder if this is all youre ever going to be. You know how vile and filthy you are inside.
We used to wonder where war lived, what it was that made it so vile. And now we realize that we know where it lives... inside ourselves.
There's this scene in "The Night of the Hunter" when the kids are downstairs, and you have the feeling that they're both in a room and at the same time it looks remote. And you wonder, How can you give the effect of both "inside" and "outside" at the same time. And you realize, by watching it many times, that around the scene there's this black edging.
A great discipline comes with knowing that everyone's very focused. I've never shot a scene thinking, I wonder if this will make it. Every scene I shoot, I know that it's going to make it into the final cut.
In the old days, you cut out a scene that might've been a really great scene, and no one was ever going to see it ever again. Now, with DVD, you can obviously... there's a lot of possibilities for scenes that are good scenes.
People wonder how they are ever going to change their lives, but really it is frighteningly easy.
The landscape is a reflection of the inner life. Since I can't shoot the inner life, all I can shoot is the exterior but I know that when I'm filming outside, I'm filming inside. I can only really touch the inside through the mise-en-scene. So through the mise-en-scene of the outside we can explore the inside
The visual stuff just lives inside of you. As far as really being able to take care of an actor on a set, how to talk to an actor, and how to get what you need out of a scene is probably where I might know a thing or two. Although, in TV, the actors are pretty much left alone. It's really the writer's medium more than anything.
Look, there’s nothing I’m ever going to tell you about me that’s the truth. The more you know about me, the shorter your life span is going to be. All you need to know is that I don’t miss. In fact, you don’t even need to know exactly how good I really am, because if you ever find out, you’re going to be dead. (Steele)
I wonder if it's ever really possible to know the truth about someone else, or if the best we can do is just stumble into each other, heads down, hoping to avoid collision. I...wonder how many people are clutching secrets like little fists, little rocks sitting in the pits of their stomachs. All of them, maybe.
All I ever really want to know is how other people are making it through life—where do they put their body, hour by hour, and how do they cope inside of it.
My first scene ever on camera was a dinner scene and I ate all the food. They yelled cut and the actor across from me was like, 'You know you're going to have to eat the same thing every single time.' I learned the hard way.
I remember secretly going off and crying. All of a sudden I'm being blocked and have to be intimate in a scene, and I'm going, 'I can't even look people in the eye very well. How am I ever going to do this?'
A film is a living thing. The screenplay is a guideline. You really need to have a good, sound script to know that you have a dramatic structure that's going to work thematically, and to know how one scene will got through another, and to get a sense of character.
Whether it's one scene or 15 scenes in a film, whether it's the lead or a cameo part, if I don't find it interesting, I tend not to do it. You never really know what it is. It could be a one-scene part. I remember I read the one scene in Crash and was asked to do it. I was like, "Absolutely!" There's no formula for how something has to be. I always try to keep it that way.
Filthy talk makes us feel comfortable with filthy action. But the one who knows how to control the tongue is prepared to resist the attacks of lust
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