A Quote by Willie Aames

I don't think you need to go looking for the enemy. He's going to look for you. — © Willie Aames
I don't think you need to go looking for the enemy. He's going to look for you.
If I start to go around and look for stuff that's being written about me or about the band, chances are I'm not going to find what I'm looking for or what I'd want to be hearing. If I go out and look for it and it's out there, I'm really going to notice when it's not. And I'd hate to think that that would impact any decisions I'm making.
I told my wife, 'Look, I'm going to ask y'all to sacrifice. I need to go to Portland. I need to lock in.' At that time, I felt like my career... was on the line. So I told her, 'This is what I need to do. I'm going to be without y'all for a while. Y'all can come out and visit. But this is what I need to do.' She understood.
Do I think Vince McMahon was looking at my matches in Japan going, 'We need him?' No. He wasn't. He's too busy. There's no way. But somebody may have been looking and going, 'All right, I like this guy. Let's give him a shot.'
I think the human race doesn't have a future if we don't go into space. We need to expand our horizons beyond planet Earth if we are to have a long-term future. We cannot remain looking inward at ourselves on a small and increasingly polluted and overcrowded planet. We need to look outward to the wider universe.
Maybe back in the day you didn't need to be the greatest looking to be on TV and you didn't need to speak the best, but in this day and age, I think you need to be the package. You need to look the part for your sponsors, you need to be able to speak the part for the media and to big CEOs.
When you edit, you imagine your enemy is seated on the other side of the table. Your enemy! And your enemy is going to read that with a viciousness, because he knows where you didn't work on it. He's going to shake it and really aim for that jugular. So you are going to polish, and revise, and rewrite, and cut out, and shape it, so that your enemy has no place to grip it. That's how you revise.
The enemy of the black is not the white. The enemy of capitalist is not communist, the enemy of homosexual is not heterosexual, the enemy of Jew is not Arab, the enemy of youth is not the old, the enemy of hip is not redneck, the enemy of Chicano is not gringo and the enemy of women is not men. We all have the same enemy. The enemy is the tyranny of the dull mind. The enemy is every expert who practices technocratic manipulation, the enemy is every proponent of standardization and the enemy is every victim who is so dull and lazy and weak as to allow himself to be manipulated and standardized.
Look where you are going because you will inevitably go where you are looking.
When I first went on TV, to make you look like a successful woman you had to be ball-breaking. I remember looking at these shows and thinking 'I'm not sure that's me'. It seemed like you had to behave like a man - but I think that's all going to go down completely, that's not the way we're going to live.
I just want to give my fans a place to go where they can be free and nobody will judge them, because life is more interesting when you're looking at it from the outside. I don't think you need to be on the outside looking in; I think you should enjoy the outside.
We need to look at truth. We need to look at justice, and we need to look at righteousness. And let that be our guide going forward.
But I don't know, maybe it's just as well I never got there. I dreamed about it for so many years. I used to go to English movies just to look at the streets. I remember years ago a guy I knew told me that people going to England find exactly what they go looking for. I said I'd go looking for the England of English Literature, and he nodded and said: "It's there.
Drag artists are more men than real men. You need a lot of courage, personality, and guts to go out there. Even if you look good or you look bad, you still need to have all of those things to be on stage. You're going to get criticized by everyone.
I don't really look for a script and go, 'I need to do a thriller, so I'm going to do this.' I just read scripts and look for the best possible story.
Look at the potential for America. Look at the direction we've been going. Look at the direction we need to go.
Yet if you go to the supermarket and look at food that's produced through industrial agriculture, look at what's happened to the prices. Have they been going down? They've been going up and they will continue to go up. So the choice is either, do we hitch onto a system of agriculture that's doomed and will doom the planet with it, and go along the route of industrial agriculture, or do we want to shift to a kind of system that we know is going to be, in the long run, cheaper, because we'll have a planet left at the end of it? We need to factor that cost in.
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