A Quote by Willie Cauley-Stein
The way I dress, the way I talk, the way I do things, what I say on Twitter - it's just like, that's who you are, so don't try to mask who you are just because of what other people think of you.
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I've spent a lot of time self-reflecting. Especially as an actor, you have to know yourself really well in order to do things effectively. And when I dress, I dress for me. I don't dress to make other people think that I'm this way or that way.
I just go in the studio and do what I love to do. People will be people, they'll come and go, they'll like you then not like you, I just try to stay true to myself first and that's what most important because that way when you are successful you can stand up and say look, I did it my way and I did it the way that I wanted to do it.
I'm way better in person than I am on things like Twitter. I know Twitter is the best and fastest way to connect with fans who really appreciate you but I'm still not cool with it - although I am trying! I try my best but I'm a one-on-one person and I don't want to tell people I'm on the toilet or I just brushed my teeth.
Wes Anderson is a perfectionist, so you have to just be ready to try it this way, try it this way, try it that way, and then try it this way. And then, once you think you've got it all and it's done, then you're going to be called back in two or three months so you can try it that way and try it this way. You've got to give him all of it.
My idea was you can't dress for the stage, you have to dress all the time like you're onstage. And so I would just always wear suits or some form of it. I wanted people to know I played music. That was kind of how you would find other people: you would just walk around looking a certain way and end up meeting someone who liked the way you look.
I just talk just to talk. I like to see what other people think. There's some things somebody tweets me every day where I'm like, 'Wow, I never thought of this issue that way.' It starts great conversation with people who I would never get a chance to actually communicate with.
I'm not doing it to pander to people. I just always knew what I liked versus what I don't like. I never liked things with too many zippers or spikes and stuff. That weirds me out. I like things that are pretty. And I think it's great to be pretty. I like being feminine. I think it's good to be feminine. We don't need to look like men or dress like men or talk like men to be powerful. We can be powerful in our own way, our own feminine way.
I like to say, 'Once a dancer, always a dancer.' In everything - the way you walk, the way you move, the way you talk, the way you sit - everything is just, you've been trained a certain way your whole life, so it's a bit muscle memory.
Things like rhyming - it just wasn't falling out of my head that way. So I started to get quite freaked out that I just couldn't write anymore. And then I just kind of went with it, and thought that, "This is the way that my brain's working," in a more direct way, then I should just try it like that for this album. And follow it. Just went with the writer's block, almost - it's a strange thing.
Image and music always works together for me. I think they're equally important and I've always done things in a way that people remember them by, but I don't set out to just shock people...because that's very easy, a lot of people could do that, I just like to do things the way that makes me happy really. And sometimes that's too much for certain people, but, you know, I try to push the envelope to make the boundaries wider as far as what you can and can't do in music.
I find the best way to make things real is to just put two characters into a space and let them talk to each other in the way that they would talk to each other, and then see what they would say. I know it sounds weird, but that leads the plot and takes you in another direction.
I describe my projects using colors because it's the best way to describe 'em. I would say that 'Moon Shoes' was way more colorful than a lot of my other music, just because I was pulling from so many different places. Imagine learning how to talk for the first time, and you're just saying everything.
It's like you're wearing a really amazing dress and high heels and you've just gone to the hair salon and gotten a facial and you feel fabulous, and then someone says, You look really awful. You're thinking, Was I completely delusional? That's what having Lyme disease feels like. It was very lonely and for many years I just didn't talk about the way I felt because I assumed if there's nothing wrong on paper, maybe this is just the way a human is supposed to feel, and I'm just complaining about it.
I don't like to start anything, ever, but if they're going to try to intimidate me, I like to just stand there and say, 'Sorry, it ain't gonna happen.' I'm shy but I'm badass. I'm not shy in a timid way, just shy in a way that I'm not comfortable with people.
I hope I am allowed to say that the reason I am popular is because of the way I am, the way I race, and the way I talk. I am just the old-fashioned, reliable guy, and people always know I am after one thing: 'There is Jens. He will go in the breakaway.'
A lot of writers do think of their characters as living beings. I know that's the way people think. That's why I try to make them real in a certain way, because otherwise people won't read them. It's fine if some readers think of them as real. It's just not the way that I think of them.
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