A Quote by Willie Keeler

Learn what pitch you can hit good; then wait for that pitch. — © Willie Keeler
Learn what pitch you can hit good; then wait for that pitch.
All day you wait for the pitch you like; then when the fielders are asleep, you step up and hit it.
My best pitch is my fastball. It's probably the most difficult pitch to hit. In my case, batters have very little reaction time.
I do loads of pitch writing as well, where you write a pop song and then pitch it to DJs who can then work with the song, and sometimes they keep your vocal on it. It's just good to be involved in different things.
I prefer to be a great team not only on paper but also on the pitch. The pitch is the truth. The pitch speaks.
I don't have to get a pitch down the middle. If I like the pitch-even if it's 15 inches off the plate, and that's the pitch I wanted-I'm swinging.
Spin rate itself doesn't make a pitch harder to hit. It just makes it further from what the hitters are used to seeing. It takes a pitch further away from average.
I don't have perfect pitch, but I have relative pitch. I'm glad I don't have perfect pitch because perfect pitch can drive you crazy.
You decide you'll wait for your pitch. As the ball starts toward the plate, you think about your stance. And then you think about your swing. Then you realize that the ball that went by you for a strike was your pitch.
You do see very few English players going abroad and those that do are largely good players otherwise they wouldn't have gone, but I feel a lot of their downfall is in the language. On the pitch you can learn the different basics of 'left,' 'right' and 'behind you' but off the pitch you want to have that influence around the team.
If people are good off the pitch, of course on the pitch it will be easier to play.
The interaction with Marco Reus is also very good. We understand each other very well, both on and off the pitch. If we get along privately, then that affects things on the pitch. We're almost like brothers.
The real Pogba is the one you see every time. You know, when I'm on the pitch, I cannot act. I'm not an actor. So when I'm in the pitch, I like to joke and laugh, and outside the pitch, I'm the same. For me, I'm normal. I come and play football. I do what I love.
Usually if you have an idea, you have to first pitch it to a production company, get them on board, then go around and pitch to networks.
The way I pitch is the way I pitch. I'm not going to change my overall philosophy. I'll just go out and pitch.
If the pitch starts with a sob story, I'm out. If the pitch talks about personal issues, I'm out. If the pitch starts off with how big the market opportunity is, I'm out. If the pitch tells me what is unique about the product, how it can make a profit, and it's an area where I have expertise, I will read on.
Tactics are so important because everybody has to know what they have to do on the pitch. The relationships and behaviours off the pitch between team-mates have to be as good as possible.
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