A Quote by Willie Mays

I think I was programmed to do good things when I came into the majors. I knew how to play. — © Willie Mays
I think I was programmed to do good things when I came into the majors. I knew how to play.
My skills weren't that I knew how to design a floppy disk, I knew how to design a printer interface, I knew how to design a modem interface; it was that, when the time came and I had to get one done, I would design my own, fresh, without knowing how other people do it. That was another thing that made me very good. All the best things that I did at Apple came from (a) not having money, and (b) not having done it before, ever. Every single thing that we came out with that was really great, I'd never once done that thing in my life.
Some people thought I'd be on the PGA Tour, that I'd win tournaments, play in majors, contend in majors, win majors. I thought they were crazy.
When I was working on the unauthorized biography 'Stan Musial: An American Life,' which came out in 2011, old opponents recalled how Musial knew their names after they had been in the majors only a few days.
You still just got to play your game. No matter where you're at, you've got to play your game, especially in majors. When you try to push and try to make things happen, that's when you can make some big numbers at the majors.
We don’t have to do a bunch of things to figure out how to win the Ryder Cup. Just go play golf. ... I’m a little bit too casual probably about a lot of things, but you can’t force good play. Good play comes from good hard work and actually being prepared to play, not being forced to play.
I think I knew how frightened people were [when Donald Trump was elected], and I think I knew that people were worried about their future. I don't think I realized that they would be willing to risk kind of a 1920s Germany in order to blow it all up, not realizing that we've accomplished a lot as Americans, and we want to keep the good things and revolutionize the new things.
You can win all the tournaments you want, but the majors are what you're remembered for. It's how you're measured as a champion in our sport. The majors are where it's at.
I learned to play football in the streets. Every day of school, everyone came and played football. The street is a good school, and you learn many things there - resiliency, how to play against older players, and how to put up with or dodge kicks.
Women lead in ways different from men's. Men, I think, have been programmed to give orders. Women have been programmed to motivate people, to educate them, to bring out the best in them. Ours is a less authoritarian leadership. I think women tend to play hardball less often. This is the trend of office politics anyway: the days of warring factions are over. We're talking now in terms of cooperation, and I think that is the game women play best.
It's one of those things: you can't really control how much you play or when you play, but when your number's called, I think if you make the most of your opportunities in this league, that's what makes good players. That's what I've tried to do in my short time being a starter, and good things have come from it.
Elvis came along when I was 10. My father gave me a bass ukulele. I taught myself how to play from a book to play some chords, so I was laying down 'Hound Dog' and things like that when I was 10 years old in 1955. That's the way I was. My ear was glued to the radio. I knew right then what I wanted to do.
I think we live in an industrial dimensional reality where we're programmed to believe what we're told. We're programmed to believe them. We're programmed to believe what that ruling class wants us to believe.
How do you want to live your life? How do you want to play the game? Do you want to play in the big leagues or in the little leagues, in the majors or the minors? Are you going to play big or play small? It's your choice.
We are programmed; we are literally programmed genetically and then we are programmed environmentally and most people never break out of that programming.
I think that the most important thing for me is, how is the character that I would be reading for? Is it interesting? Is there stuff to do? Are there things that you can do with the character? How can you play it out? Just those kinds of things that are very important for an actor. Also, a good director and good dialogue.
I need to play well in the majors; that's been my key. That's been something that I've created a pattern in the majors, and I just need to keep improving.
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